材质 :Acrylic on canvas 壓克力顏料／畫布 尺寸 :130 × 180 cm Painting

疫情期间的食堂疫情期間的食堂 (2021)-ZHANG An 張安(Chinese, b. 1990)

英文名称:Canteen during the Epidemic 疫情期間的食堂 (2021)-ZHANG An 張安

材质 :Vintage gelatin silver print 尺寸 :25.4 × 20.3 cm Photography

1945年3月1日，第二次世界大战莱茵河战役期间，美国士兵伊万·帕罗特在德国诺伊斯附近无人区的烟雾中奔跑-瓦卡罗

英文名称:American GI Ivan Parrott is seen running through smoke in no man’s land near Neuss, Germany during the Battle for the Rhine, World War II, 1st March 1945-Tony Vaccaro

材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

红色起源（2020年，作为她的艺术实践的延伸，马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美国是世界上唯一一个拥有大量孕产妇发病率统计数据的发达国家。（2021年）-罗斯·马库斯(American, b. 1982)

英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus

材质 :Folio (325 by 205mm), [5], 6-129, [1]pp., folding colour diagram at p.12, folded coloured diagram at p.1; [bound with] Appendix. Folio. viii, 352pp. Folding diagram at p.14 and p.88; folding part coloured graph at p.106; coloured plates atp.122, 124, 126 (2), 128, 220, 222, 228, 230, 232 (2), 234, 236, 238 (3), 242. 246 (2), 248, 250, 252, 260 (2), 272 (2), 290, 298, large folding plan of St James’s, p.322, inscription on verso of sessional title-page “This book is to be preserved in the Office of Her Majesty’s Principal Secretary of State Home Department”, rebound in green cloth, lettered in gilt to spine. 尺寸 :32 × 20 × 5 cm Books and Portfolios

科学调查委员会关于1854年霍乱疫情的报告。(1855)-卫生总委员会

英文名称:Report of the Committee for the Scientific Inquiries in relation to the Cholera-Epidemic of 1854. (1855)-THE GENERAL BOARD OF HEALTH

材质 :Acrylic and oil on canvas 尺寸 :154 × 174 cm Painting

Portrait Series During the Pandemic Four 疫情期間的肖像系列之四 (2020)-Zheng Zhou 鄭洲(Chinese, b. 1969)

英文名称:Portrait Series During the Pandemic Four 疫情期間的肖像系列之四 (2020)-Zheng Zhou 鄭洲

材质 :Acrylic and oil on canvas 尺寸 :154 × 174 cm Painting

Portrait Series During the Pandemic Two 疫情期間的肖像系列之二 (2020)-Zheng Zhou 鄭洲(Chinese, b. 1969)

英文名称:Portrait Series During the Pandemic Two 疫情期間的肖像系列之二 (2020)-Zheng Zhou 鄭洲

材质 :Acrylic on paper 壓克力顏料／紙 尺寸 :26 × 36 cm Painting

\\\"Canteen during the Epidemic\\\" Color Sketches 2 《疫情期間的食堂》色彩小稿之二 (2020)-ZHANG An 張安(Chinese, b. 1990)

英文名称:\\\"Canteen during the Epidemic\\\" Color Sketches 2 《疫情期間的食堂》色彩小稿之二 (2020)-ZHANG An 張安

材质 :Acrylic on paper 壓克力顏料／紙 尺寸 :26 × 36 cm Painting

\\\"Canteen during the Epidemic\\\" Color Sketches 1 《疫情期間的食堂》色彩小稿之一 (2020)-ZHANG An 張安(Chinese, b. 1990)

英文名称:\\\"Canteen during the Epidemic\\\" Color Sketches 1 《疫情期間的食堂》色彩小稿之一 (2020)-ZHANG An 張安

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

材质 :Oil on Canvas 尺寸 :149.9 × 149.9 cm Painting

疫情（2019年）-弗朗索瓦·德费利斯(French, b. 1952)

英文名称:L\'éclosion (2019)-Françoise de Felice