1. 有时我会听无害的独立音乐,但我永远不知道它如何影响我的非洲身份,2012年 by Rowan Smith 高清作品[40%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

有时我会听无害的独立音乐,但我永远不知道它如何影响我的非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

2. 学习的复兴,印刷术和火药的发明,以及美国的发现` The Revival of Learning, the Invention of Printing and Gunpowder and the Discovery of America (1784) by Nicolai Abraham Abildgaard 高清作品[36%]

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The Revival of Learning, the Invention of Printing and Gunpowder and the Discovery of America (1784) -

图片文件尺寸: 5910 x 5861px

学习的复兴,印刷术和火药的发明,以及美国的发现-尼古拉·亚伯拉罕·阿比德加德

~ The Revival of Learning, the Invention of Printing and Gunpowder and the Discovery of America (1784) --Nicolai Abraham Abildgaard (丹麦画家, 1743-1809)

3. 整个该死的东西都着火。或者,早期绅士化对坚韧不拔的人群的影响。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[32%]

The whole fucking thing is on fire. Or, The effects of early gentrification on an unyielding population. (2021)

材质 :Acrylic and spray paint on canvas 尺寸 :183 × 183 cm Painting

整个该死的东西都着火。或者,早期绅士化对坚韧不拔的人群的影响。(2021)-乌马尔·拉希德(两根羽毛)

英文名称:The whole fucking thing is on fire. Or, The effects of early gentrification on an unyielding population. (2021)-Umar Rashid (Frohawk Two Feathers)

5. 饥饿,口渴,以及如何接受你的日常死亡——或者,为什么我们只吃我们想要的东西(一旦我们称重),2021 by objet A.D 高清作品[31%]

Hunger, Thirst, and How to Receive Your Daily Dead--or, Why We Only Eat What We Want (Once We\'ve Been Weighed), 2021

材质 :Charcoal, Chalk, and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

饥饿,口渴,以及如何接受你的日常死亡——或者,为什么我们只吃我们想要的东西(一旦我们称重),2021-目标A.D(b. 1993)

英文名称:Hunger, Thirst, and How to Receive Your Daily Dead--or, Why We Only Eat What We Want (Once We\'ve Been Weighed), 2021-objet A.D

6. 《草地上的午餐:在我意识到奥德琳对她的话赋予不同的含义(2017)之前,我是如何认为奥德琳想让我给她画画的 by Phil Rabovsky 高清作品[30%]

Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale

材质 :Oil, acrylic, and silkscreen on canvas; plants 尺寸 :About the work Painting

《草地上的午餐:在我意识到奥德琳对她的话赋予不同的含义(2017)之前,我是如何认为奥德琳想让我给她画画的-菲尔·拉博夫斯基

英文名称:Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale-Phil Rabovsky

7. It Is More Particularly by Working upon This Imagination That Crowds Are Led., Material: Plywood, Stainless Steel Revolving Doors 《掌握影响群众想像力的艺术,也就掌握统治他们的艺术。》,材料:三夹板,不锈钢旋转门 (2012) by Xu Zhen 徐震 高清作品[29%]

It Is More Particularly by Working upon This Imagination That Crowds Are Led., Material: Plywood, Stainless Steel Revolving Doors 《掌握<em>了</em><em>影响</em>群众想像力的艺术,也就掌握<em>了</em>统治他们的艺术。》,材料:三夹板,不锈钢旋转门 (2012)

材质 :Photograph 尺寸 :150 × 285 cm Photography

It Is More Particularly by Working upon This Imagination That Crowds Are Led., Material: Plywood, Stainless Steel Revolving Doors 《掌握影响群众想像力的艺术,也就掌握统治他们的艺术。》,材料:三夹板,不锈钢旋转门 (2012)-Xu Zhen 徐震

英文名称:It Is More Particularly by Working upon This Imagination That Crowds Are Led., Material: Plywood, Stainless Steel Revolving Doors 《掌握影响群众想像力的艺术,也就掌握统治他们的艺术。》,材料:三夹板,不锈钢旋转门 (2012)-Xu Zhen 徐震

8. 1807年1月12日火药船爆炸后,路易·拿破仑参观莱顿拉彭堡的废墟` Lodewijk Napoleon bezoekt de ruïnes op het Rapenburg te Leiden na de ontploffing van het kruitschip op 12 januari 1807 (1807 ~ 1809) by Jan Willem Pieneman 高清作品[29%]

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Lodewijk Napoleon bezoekt de ruïnes op het Rapenburg te Leiden na de ontploffing van het kruitschip op 12 januari 1807 (1807 ~ 1809) -

图片文件尺寸: 4451 x 3429px

1807年1月12日火药船爆炸后,路易·拿破仑参观莱顿拉彭堡的废墟-简·威廉·皮内曼先生

~ Lodewijk Napoleon bezoekt de ruïnes op het Rapenburg te Leiden na de ontploffing van het kruitschip op 12 januari 1807 (1807 ~ 1809) --Jan Willem Pieneman (荷兰艺术家, 1779 - 1853)

9. 1922年,五只生锈的老鼠如何帮助发现一个新的村庄,Rootabaga Stories`How the Five Rusty Rats Helped Find a New Village, Rootabaga Stories, 1922 by Robert Lawson 高清作品[28%]

AF-How the Five Rusty Rats Helped Find a New Village, Rootabaga Stories, 1922

图片文件尺寸: 7200×7174 px

1922年,五只生锈的老鼠如何帮助发现一个新的村庄,Rootabaga Stories-劳森

-How the Five Rusty Rats Helped Find a New Village, Rootabaga Stories, 1922 (illustration), by Robert Lawson

Robert Lawson was an 美国艺术家 writer and illustrator of children\'s books.

10. 回声描绘——威尔·赛尔夫(Will Self)在大雅茅斯(Great Yarmouth)的海滨画一幅漫画艺术家的肖像,同时向我描述三十年后世界将如何终结,2019年7月10日(2016年9月10日) by Ryan Gander 高清作品[27%]

Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)

材质 :Acrylic on mirror 尺寸 :206.1 × 148.3 × 0.5 cm Painting

回声描绘——威尔·赛尔夫(Will Self)在大雅茅斯(Great Yarmouth)的海滨画一幅漫画艺术家的肖像,同时向我描述三十年后世界将如何终结,2019年7月10日(2016年9月10日)-瑞安·甘德(British, b. 1976)

英文名称:Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)-Ryan Gander