材质 :Acrylic and encaustic on canvas 尺寸 :101.6 × 203.2 cm Painting
共产主义始于思想（2019）-斯凯拉·费恩(American, b. 1968)
英文名称:Communism Begins with Thinking (2019) | Available for Sale-Skylar Fein
2.
性格的特点和对比`
Points and contrasts of character (1883) by D. Macner 高清作品[39%]
图片文件尺寸: 6241 x 11235px
性格的特点和对比-D.麦克纳
~ Points and contrasts of character (1883) --D. Macner (美国艺术家, 19th/20th Century)
3.
各种各样的风景主题，具有英国风景的特点，摘自约翰·康斯特布尔（John Constable，R.A.）的画作，大卫·卢卡斯（David Lucas，1829-1822）的雕刻 by David Lucas after John Constable 高清作品[34%]
材质 :Mezzotints with etching, roulette, and drypoint; printed on laid (and occasionally wove) paper; many plates retouched by the artist with brush and grey wash 尺寸 :16.6 × 23 cm Print
各种各样的风景主题，具有英国风景的特点，摘自约翰·康斯特布尔（John Constable，R.A.）的画作，大卫·卢卡斯（David Lucas，1829-1822）的雕刻-约翰·康斯特布尔之后的大卫·卢卡斯(British, 1802–1881)
英文名称:Various Subjects of Landscape, Characteristic of English Scenery, from Pictures painted by John Constable, R.A. Engraved by David Lucas (1829-32)-David Lucas after John Constable
4.
反思想（第二思想），1939年 by Yves Tanguy 高清作品[29%]
材质 :Oil on canvas 尺寸 :91.8 × 74.3 cm Painting
图片文件尺寸 : 5630 x 4332px
反思想（第二思想），1939年-伊夫·唐基(French, 1900–1955)
英文名称:Arrières-pensées (Second Thoughts), 1939-Yves Tanguy
5.
反思想（第二思想）（1939年） by Yves Tanguy 高清作品[29%]
材质 :Oil on canvas 尺寸 :91.8 × 74.3 cm Painting
反思想（第二思想）（1939年）-伊夫·唐基(French, 1900–1955)
英文名称:Arrières-pensées (Second Thoughts) (1939)-Yves Tanguy
6.
思想超越对象思想超脱对象 （2021年） by Gwang Hee Jeong 高清作品[29%]
材质 :Traditional Hanji paper (old book paper) 尺寸 :270 × 197 cm Painting
思想超越对象思想超脱对象 （2021年）-光熙贞(Korean, b. 1969)
英文名称:Thoughts Transcend the Object 思想超脱对象 (2021) | Available for Sale-Gwang Hee Jeong
7.
思想家（思想家）`
Thinker (Le penseur) by Alphonse Legros 高清作品[29%]
图片文件尺寸: 3074 x 3888px
思想家（思想家）-阿方斯·勒格罗
~ Thinker (Le penseur)--Alphonse Legros (法国艺术家, 1837-1911)
8.
思想家，思想家`Le Penseur, The Thinker by Auguste Rodin 高清作品[29%]
图片文件尺寸: 8186×9800 px
思想家，思想家-奥古斯特·罗丁
-The Thinker was originally conceived not in heroic isolation, but as part of Rodin\'s monumental Gates of Hell—a pair of bronze doors intended for a museum of decorative arts in Paris. Although the doors were never cast during the sculptor\'s lifetime, they nevertheless provided Rodin a rich source of ideas for individual figures and groups that he worked and reworked for the rest of his career.
The theme for Gates of Hell was taken from Dante\'s Inferno, and this figure, planned for the lintel on top, was initially conceived as the poet himself. His nudity, though, marked him as a universal embodiment of every poet—every creator—who draws new life from the imagination. In the late 1880s Rodin began to exhibit the figure, sometimes with the title Poet, other times as Poet/Thinker. By 1896, however, it had become simply The Thinker, a still more universal image that reveals in physical terms the mental effort and even anguish of creativity. As Rodin himself described: \"What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes.\"
Rodin\'s Thinker exists today in many casts and sizes. More than fifty are known in this size—which is the size of Rodin\'s original handmade clay model.
9.
一对中国青花造型的盘子，清代，康熙时期 - 一对中国青花盘——清康熙时期 高清作品[28%]
A PAIR OF CHINESE BLUE AND WHITE MOLDED DISHES, QING DYNASTY, KANGXI PERIOD-A-PAIR-OF-CHINESE-BLUE-AND-WHITE-MOLDED-DISHES-QING-DYNASTY-KANGXI-PERIOD
（一对中国青花造型的盘子，清代，康熙时期-一对中国青花盘——清康熙时期）
10.
清朝康熙时期两位中国外销男童家族人物 - 清朝康熙时期的两位中国外销男童 高清作品[28%]
TWO CHINESE EXPORT FAMILLE-VERTE FIGURES OF BOYS, QING DYNASTY, KANGXI PERIOD-TWO-CHINESE-EXPORT-FAMILLE-VERTE-FIGURES-OF-BOYS-QING-DYNASTY-KANGXI-PERIOD
（清朝康熙时期两位中国外销男童家族人物-清朝康熙时期的两位中国外销男童）
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