3. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019) by Derek Liddington 高清作品[51%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale-Derek Liddington

4. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019) by Derek Liddington 高清作品[51%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale-Derek Liddington

5. 安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义 by Michael van Ofen 高清作品[51%]

材质 :Oil on canvas 尺寸 :80 × 120 × 8 cm Painting

图片文件尺寸 : 5630 x 4332px

安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义-迈克尔·范奥芬(German, b. 1956)

英文名称:Dekor und Signifikant politischer Macht in der überarbeiteten Endfassung des Wandbildes \"Der Kongreß zu Berlin\", 1892 von Anton v. Werner, 2013-Michael van Ofen

7. 米兰蒂契纳门凯旋门设计,带有哈布斯堡皇室臂膀寓意人物` Design for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical Figures (1633) by Francesco Maria Richini 高清作品[50%]

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Design for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical Figures (1633) -

图片文件尺寸: 2021 x 2970px

米兰蒂契纳门凯旋门设计,带有哈布斯堡皇室臂膀寓意人物-弗朗西斯科·玛丽亚·里奇尼

~ Design for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical Figures (1633) --Francesco Maria Richini (Italian, 1584-1658)