5. 巴勃罗·加索(PABLO PICASSO)拿着一个农牧神的剪影,另一个农牧神坐在摇椅上。在巴勃罗·加索身后,有两幅创作于1956年。加利福尼亚州洛杉矶,戛纳,1956年 - 爱德华·奎因-- 高清作品[34%]

  PABLO PICASSO HOLDING A CUTOUT FIGURE OF A FAUN, WITH ANOTHER FAUN SEATED ON THE ROCKING CHAIR. BEHIND PABLO PICASSO, TWO PAINTINGS DONE IN 1956. LA CALIFORNIE, CANNES, 1956-EDWARD-QUINN--

PABLO PICASSO HOLDING A CUTOUT FIGURE OF A FAUN, WITH ANOTHER FAUN SEATED ON THE ROCKING CHAIR. BEHIND PABLO PICASSO, TWO PAINTINGS DONE IN 1956. LA CALIFORNIE, CANNES, 1956-EDWARD-QUINN--
(巴勃罗·加索(PABLO PICASSO)拿着一个农牧神的剪影,另一个农牧神坐在摇椅上。在巴勃罗·加索身后,有两幅创作于1956年。加利福尼亚州洛杉矶,戛纳,1956年-爱德华·奎因--)

6. 关于黄昏的构成和沉着,与新月或强直、阵挛和其他在死前和死后重复僵硬的慢性倾向有关。,二千零二十一 by objet A.D 高清作品[31%]

On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021

材质 :Gesso, Charcoal, Oil, Oil-stick, and Oil-pastel on Hardboard 尺寸 :76.2 × 61 × 0.6 cm Painting

图片文件尺寸 : 5630 x 4332px

关于黄昏的构成和沉着,与新月或强直、阵挛和其他在死前和死后重复僵硬的慢性倾向有关。,二千零二十一-目标A.D(b. 1993)

英文名称:On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021-objet A.D