1. 从里到下。。。结构主义基石什么?来自通用动力联合国投资组合,1970年 by Eduardo Paolozzi 高清作品[50%]

Inside Down Under... What are the Building Blocks of Structuralism? II from General Dynamic F.U.N. Portfolio, 1970

材质 :Photolithograph 尺寸 :38.1 × 25.4 cm Print

图片文件尺寸 : 5630 x 4332px

从里到下。。。结构主义基石什么?来自通用动力联合国投资组合,1970年-爱德华多·包洛奇(British, 1924–2005)

英文名称:Inside Down Under... What are the Building Blocks of Structuralism? II from General Dynamic F.U.N. Portfolio, 1970-Eduardo Paolozzi

4. 罗马竞技场其他罗马纪念碑古典景观;一幅古典风景画,人物在湖前休息,远处一座城堡 - 简-弗兰斯-范-弗劳尔斯-叫奥里佐特 高清作品[40%]

A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond

  • Jan Frans van Bloemen, called l;Orizzonte
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond-JAN-FRANS-VAN-BLOEMEN,-CALLED-L\'ORIZZONTE
    (罗马竞技场其他罗马纪念碑古典景观;一幅古典风景画,人物在湖前休息,远处一座城堡-简-弗兰斯-范-弗劳尔斯-叫奥里佐特)

    5. 对于海洛因女主人公来说,维纳斯间复活静脉注射亲密沿着方位角进入爱情(总已经失去)入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高时候……),2020年 by objet A.D 高清作品[39%]

    Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

    材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

    图片文件尺寸 : 5630 x 4332px

    对于海洛因女主人公来说,维纳斯间复活静脉注射亲密沿着方位角进入爱情(总已经失去)入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高时候……),2020年-目标A.D(b. 1993)

    英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

    6. 超现实主义我!(萨尔瓦多·达利肖像,带着珠宝眼泪,在霍斯特之后),2009年 by Francesco Vezzoli 高清作品[39%]

    Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009

    材质 :Inkjet print on canvas with custom jewelry and cotton and metallic embroidery, in artists chosen frame 尺寸 :104 × 77 × 6 cm Painting

    图片文件尺寸 : 5630 x 4332px

    超现实主义我!(萨尔瓦多·达利肖像,带着珠宝眼泪,在霍斯特之后),2009年-弗朗西斯科·维佐利(Italian, b. 1971)

    英文名称:Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009-Francesco Vezzoli

    8. 历史核心样本/(衰落衰落)(2015年) by Sarah Stengle 高清作品[37%]

    Core Sample of History/ (Decline and fall) (2015)

    材质 :Approx. 2,500 disks of paper hand-punched from several volumes of “The Decline and Fall of the Roman Empire”, by Edward Gibbons, mounted on an industrial cast iron object, and bound through the center with a brass cylinder. Inside the brass cylinder is a 9” glass tube filled with dirt to represent what has been buried, lost or decayed 尺寸 :14 × 39.4 × 12.7 cm Sculpture

    历史核心样本/(衰落衰落)(2015年)-莎拉·斯坦格尔

    英文名称:Core Sample of History/ (Decline and fall) (2015)-Sarah Stengle