材质 :Impresión digital, papel Photo Rag Baryta Hahnemühle 100% algodón 尺寸 :66.67 × 100 cm Photography
莫特祖马的预兆：从悲伤的夜晚到混合和重叠的文化。墨西哥城历史中心，2004-2005年，系列：\\“3 Fotoracconti Mexicanos 3 \\”（2004-2005年）-保罗·加斯帕里尼(Venezuelan, b. 1934)
英文名称:Los presagios de Moctezuma: De la Noche Triste a las culturas híbridas y superpuestas. Centro Histórico, Ciudad de México, 2004 -2005, de la serie: \\\"3 Fotoracconti mexicanos 3\\\" (2004-2005)-Paolo Gasparini
材质 :Impresión digital, papel Photo Rag Baryta Hahnemühle 100% algodón 尺寸 :167.6 × 254 cm Photography
历史课程和资源：从牺牲到跨文化。墨西哥城，阿内奎尔科，莫雷洛斯，1997-2000年，系列：\\“3 Fotoracconti Mexicanos 3 \\”（1997-2000年）-保罗·加斯帕里尼(Venezuelan, b. 1934)
英文名称:Cursos y recursos de la historia: De los sacrificios a la transculturación. Ciudad de México, Anenecuilco, Morelos 1997-2000, de la serie: \\\"3 Fotoracconti mexicanos 3\\\" (1997-2000)-Paolo Gasparini
材质 :Pigment print 尺寸 :27.9 × 35.6 cm Photography
弗雷德里克·道格拉斯的Ambrotype，美国非裔美国人历史与文化国家博物馆，华盛顿特区（2016年）-温德尔·怀特
英文名称:Ambrotype of Frederick Douglass, National Museum of African American History and Culture, Washington, DC (2016)-Wendel A. White
材质 :Boxwood, Gilt 尺寸 :30.5 × 11 × 8.5 cm Sculpture
精美的法国文艺复兴时期雕刻和染色的黄杨木圣母和基督圣婴（1550-1600）-欧洲艺术品
英文名称:Fine French Renaissance Carved and Stained Boxwood Devotional Figure of the Virgin and Christ Child (1550-1600)-European Works of Art
材质 :Celestial sphere, two large brass fretwork hemispheres joined at the equator with two sets of rings. The first set consists of five parallel horizontal rings representing the Equator, Tropics of Cancer and Capricorn, and both polar circles as well as vertical colures and meridians intersecting both poles and crossing the equator at 30 degrees. The second set consists of six rings intersecting the equatorial poles at an angle of 23.5 degrees – this angle would allow the now-missing inner terrestrial sphere to consistently point to the north and south equatorial poles of the celestial sphere. Placed atop this set of 17 rings are the 48 Ptolemaic constellations and two non-Ptolemaic ones. The Lynx (LE LYNX) located between the Great Bear and Leo and the constellation of Eridanus, depicted as a naked female figure, were both added later. The planetary symbols and series of stars up to five magnitudes are engraved on the figures of each constellation. The celestial sphere is mounted on a graduated brass meridian ring held in place by two recesses on the horizon ring. One face of the meridian is stamped with a scale of 360 degrees, and an hour-ring and index is mounted at the North Pole. A set of four brackets support the horizon ring with engraved acanthus leaf decoration and foliage, which terminate in scrolls with a pierced opening holding a peg attached to the horizon. The upper face of the horizon features an inner scale of 360 degrees divided into 12 signs for the zodiac labelled in Latin and depicted with its symbol. An outer scale depicts the Julian calendar with the names of the months stamped in Roman capital letters. The first point of Aries coincides with the 11th of March. The 12 winds are engraved at the outer edge as blowing figures. The sphere is supported by a chased-brass circular base with four grotesque human figures amongst arabesque decoration. The sphere rests on a cylindrical marble stand with minor chips consistent with age. 尺寸 :86 × 33 × 33 cm Other
文艺复兴时期创造力和科学成就的顶峰：带有机械痕迹的天球。（c1540-c1550）-匿名的
英文名称:The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)-Anonymous
材质 :Ivory, Rhinoceros Horn 尺寸 :25 × 8.5 × 8.5 cm Other
德国文艺复兴时期的犀牛角和象牙杯盖（1600-1650）-欧洲艺术品
英文名称:A German Renaissance Turned Rhinoceros Horn and Ivory Cup and Cover (1600-1650)-European Works of Art
Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482) (Feldman & Schellmann II.317)-Andy-Warhol
（文艺复兴时期绘画的细节（桑德罗·波提切利，《维纳斯的诞生》，1482年）（费尔德曼和谢尔曼二世，317年）-安迪·沃霍尔。）
Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472) (Feldman & Schellmann II.322)-Andy-Warhol
（文艺复兴时期绘画的细节（莱昂纳多·达芬奇，《公告》，1472）（费尔德曼和谢尔曼二世，322）-安迪·沃霍尔。）
CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
（威廉·米娜（WILHELMINA）作为文艺复兴时期圣母玛利亚（MADONNA）和圣婴的哭泣肖像（以莱昂纳多（LEONARDO）的名字命名）-弗朗西斯科·维佐利-）
材质 : 尺寸 : Installation
《拯救李小龙：苏联文化外交时代的非洲和阿拉伯电影（序曲）》装置图（2015）-菲利普·雷卡塞维茨
英文名称:Installation view of \\\"Saving Bruce Lee: African and Arab Cinema in the Era of Soviet Cultural Diplomacy (A Prologue)\\\" (2015)-Philippe Rekacewicz