1. 威廉·米娜(WILHELMINA)作为文艺复兴期圣母玛利亚(MADONNA)和圣婴哭泣肖像(以莱昂纳多(LEONARDO)名字命名) - 弗朗西斯科·维佐利- 高清作品[60%]

 CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
(威廉·米娜(WILHELMINA)作为文艺复兴期圣母玛利亚(MADONNA)和圣婴哭泣肖像(以莱昂纳多(LEONARDO)名字命名)-弗朗西斯科·维佐利-)

2. 当他说“再次提醒我你名字,你已经忘记了你给他名字(2019年) by Miranda Tacchia 高清作品[57%]

材质 :Marker and ink on paper mounted to wood panel 尺寸 :10.2 × 10.2 cm Drawing, Collage or other Work on Paper

当他说“再次提醒我你名字,你已经忘记了你给他名字(2019年)-米兰达·塔奇亚

英文名称:When he says \\\"Remind me of your name again\\\" but you already forgot the fake name you gave him (2019)-Miranda Tacchia

4. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作是对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[41%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚作品,具有明确女权主义内涵,创作是对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez