4. 威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)和圣婴的哭泣肖像(以莱昂纳多(LEONARDO)的名字命名) - 弗朗西斯科·维佐利- 高清作品[46%]

 CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
(威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)和圣婴的哭泣肖像(以莱昂纳多(LEONARDO)的名字命名)-弗朗西斯科·维佐利-)

5. 《建筑的秩序》,文艺复兴时期的多立克秩序,出自Vincenzo Scamozzi,立面` Orders of Architecture, Renaissance Doric Order from Vincenzo Scamozzi, Elevation (1870) by Carl (Charles) J. Furst 高清作品[44%]

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Orders of Architecture, Renaissance Doric Order from Vincenzo Scamozzi, Elevation (1870) -

片文件尺寸: 2143 x 3000px

《建筑的秩序》,文艺复兴时期的多立克秩序,出自Vincenzo Scamozzi,立面-卡尔(查尔斯)J·弗斯特

~ Orders of Architecture, Renaissance Doric Order from Vincenzo Scamozzi, Elevation (1870) --Carl (Charles) J. Furst (美国艺术家, 1840-1919)

7. 弗雷德里克·克拉斯父子(FREDERICK CRACE&SON,约1845年)创作的一张罕见的维多利亚时代早期伊丽莎白复兴时期的缎木、多色和镀金写字台 by Frederick Crace & Son 高清作品[43%]

A RARE EARLY VICTORIAN ELIZABETHAN-REVIVAL SATINWOOD, POLYCHROME AND GILT WRITING-TABLE ATTRIBUTED TO FREDERICK CRACE & SON (ca. 1845)

材质 :Satinwood, polychrome, gilt 尺寸 :76.2 × 121.9 × 62.2 cm Design\\\\u002FDecorative Art

弗雷德里克·克拉斯父子(FREDERICK CRACE&SON,约1845年)创作的一张罕见的维多利亚时代早期伊丽莎白复兴时期的缎木、多色和镀金写字台-弗雷德里克·克雷斯;声音

英文名称:A RARE EARLY VICTORIAN ELIZABETHAN-REVIVAL SATINWOOD, POLYCHROME AND GILT WRITING-TABLE ATTRIBUTED TO FREDERICK CRACE & SON (ca. 1845)-Frederick Crace & Son

9. 大天使迈克尔,圣母与圣子三联`Archangel Michael, Triptych of the Virgin and Child by Jan van Eyck 高清作品[37%]

AF-Archangel Michael, Triptych of the Virgin and Child

片文件尺寸: 3907×15000 px

大天使迈克尔,圣母与圣子三联-简·范艾克先生

-Jan van Eyck ( 1390-1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.

The Dresden Triptych (or Virgin and Child with St. Michael and St. Catherine and a Donor, or Triptych of the Virgin and Child) is a very small hinged-triptych altarpiece by the Early Netherlandish.

The paintings of the two outer wings become visible when the triptych is closed. They show the Virgin Mary and Archangel Gabriel in an Annunciation scene painted in grisaille, which because of their near-monochrome colouring give the impression that the figures are sculpted. The three inner panels are set in an ecclesiastical interior. In the central inner panel Mary is seated and holds the Christ Child on her lap. On the left hand wing Archangel Michael presents a kneeling donor, while on the right St. Catherine of Alexandria stands reading a prayer book.

Archangel Michael, Triptych of the Virgin and Child (Oil on Canvas), by Jan van Eyck