材质 :Albumen print 尺寸 :27.9 × 35.7 cm Photography

加利福尼亚州洪堡公司淡水附近的底切，Oley C.Hansen的木瓦和摇动螺栓主张（约1900年）-奥古斯都·威廉·埃里克森(American, 1848–1927)

英文名称:The Undercut near Freshwater, Humboldt Co., California, Oley C. Hansen\'s Shingle and Shake Bolt Claim (ca. 1900)-Augustus William Ericson

材质 :Boxwood, Gilt 尺寸 :30.5 × 11 × 8.5 cm Sculpture

精美的法国文艺复兴时期雕刻和染色的黄杨木圣母和基督圣婴（1550-1600）-欧洲艺术品

英文名称:Fine French Renaissance Carved and Stained Boxwood Devotional Figure of the Virgin and Christ Child (1550-1600)-European Works of Art

材质 :Celestial sphere, two large brass fretwork hemispheres joined at the equator with two sets of rings. The first set consists of five parallel horizontal rings representing the Equator, Tropics of Cancer and Capricorn, and both polar circles as well as vertical colures and meridians intersecting both poles and crossing the equator at 30 degrees. The second set consists of six rings intersecting the equatorial poles at an angle of 23.5 degrees – this angle would allow the now-missing inner terrestrial sphere to consistently point to the north and south equatorial poles of the celestial sphere. Placed atop this set of 17 rings are the 48 Ptolemaic constellations and two non-Ptolemaic ones. The Lynx (LE LYNX) located between the Great Bear and Leo and the constellation of Eridanus, depicted as a naked female figure, were both added later. The planetary symbols and series of stars up to five magnitudes are engraved on the figures of each constellation. The celestial sphere is mounted on a graduated brass meridian ring held in place by two recesses on the horizon ring. One face of the meridian is stamped with a scale of 360 degrees, and an hour-ring and index is mounted at the North Pole. A set of four brackets support the horizon ring with engraved acanthus leaf decoration and foliage, which terminate in scrolls with a pierced opening holding a peg attached to the horizon. The upper face of the horizon features an inner scale of 360 degrees divided into 12 signs for the zodiac labelled in Latin and depicted with its symbol. An outer scale depicts the Julian calendar with the names of the months stamped in Roman capital letters. The first point of Aries coincides with the 11th of March. The 12 winds are engraved at the outer edge as blowing figures. The sphere is supported by a chased-brass circular base with four grotesque human figures amongst arabesque decoration. The sphere rests on a cylindrical marble stand with minor chips consistent with age. 尺寸 :86 × 33 × 33 cm Other

文艺复兴时期创造力和科学成就的顶峰：带有机械痕迹的天球。（c1540-c1550）-匿名的

英文名称:The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)-Anonymous

材质 :Ivory, Rhinoceros Horn 尺寸 :25 × 8.5 × 8.5 cm Other

德国文艺复兴时期的犀牛角和象牙杯盖（1600-1650）-欧洲艺术品

英文名称:A German Renaissance Turned Rhinoceros Horn and Ivory Cup and Cover (1600-1650)-European Works of Art

Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482) (Feldman & Schellmann II.317)-Andy-Warhol
（文艺复兴时期绘画的细节（桑德罗·波提切利，《维纳斯的诞生》，1482年）（费尔德曼和谢尔曼二世，317年）-安迪·沃霍尔。）

Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472) (Feldman & Schellmann II.322)-Andy-Warhol
（文艺复兴时期绘画的细节（莱昂纳多·达芬奇，《公告》，1472）（费尔德曼和谢尔曼二世，322）-安迪·沃霍尔。）

图片文件尺寸: 2860 x 4096px

修订《工厂法》——主张正义和社会和平的人投反对票-罗伯特·斯特克林

~ Revision des Fabrikgesetzes – Wer für Gerechtigkeit und sozialen Frieden eintritt stimmt Nein (1924) --Robert Stöcklin (瑞士画家, 1889–1931)

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
（威廉·米娜（WILHELMINA）作为文艺复兴时期圣母玛利亚（MADONNA）和圣婴的哭泣肖像（以莱昂纳多（LEONARDO）的名字命名）-弗朗西斯科·维佐利-）

Proposition forte à la nature-André-Lanskoy
（对自然的强烈主张-安德烈·兰斯科伊）

图片文件尺寸: 6790 x 8488px

哥特式教堂的莱顿和唱诗堂，带有文艺复兴时期的祭坛和身穿17世纪服装的斯塔法格雕像。JOHANNVLIN

~ Blick auf Lettner und Chor einer gotischen Kirche mit Renaissance~Altären und Staffagefiguren im Kostüm des 17. Jahrhunderts (1778) --JOHANN VÖGELIN (德国艺术家, 18th Century)