1. 回声描绘——威尔·赛尔夫（Will Self）在大雅茅斯（Great Yarmouth）的海滨画了一幅漫画艺术家的肖像，同时向我描述了三十年后世界将如何终结，2019年7月10日（2016年9月10日） by Ryan Gander 高清作品[57%]

Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)

材质 :Acrylic on mirror 尺寸 :206.1 × 148.3 × 0.5 cm Painting

回声描绘——威尔·赛尔夫（Will Self）在大雅茅斯（Great Yarmouth）的海滨画了一幅漫画艺术家的肖像，同时向我描述了三十年后世界将如何终结，2019年7月10日（2016年9月10日）-瑞安·甘德(British, b. 1976)

英文名称:Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)-Ryan Gander

4. 2021，铁幕、室内设计和遭遇的极端，或者，一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学 by objet A.D 高清作品[48%]

Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021

材质 :Charcoal and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

2021，铁幕、室内设计和遭遇的极端，或者，一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学-目标A.D()

英文名称:Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021-objet A.D

5. 泰勒马库斯描述了他是如何被允许进入克里特岛的集会的，摘自《泰勒马库斯历险记》第5卷` Telemachus Describes How He Was Admitted into the Assembly in Crete, from The Adventures of Telemachus, Book 5 (1808) by Bartolomeo Pinelli 高清作品[43%]

~ Telemachus Describes How He Was Admitted into the Assembly in Crete, from The Adventures of Telemachus, Book 5 (1808) -

图片文件尺寸: 3000 x 2514px

泰勒马库斯描述了他是如何被允许进入克里特岛的集会的，摘自《泰勒马库斯历险记》第5卷-巴托洛梅奥半夏

~ Telemachus Describes How He Was Admitted into the Assembly in Crete, from The Adventures of Telemachus, Book 5 (1808) --Bartolomeo Pinelli (Italian, 1781-1835)

8. 2018年维苏威火山附近，在西班牙巴塞罗那埃斯隆塞达艺术与文化中心的艺术居住期间完成的装置，居住艺术家奖拉古纳艺术奖第12版。15件艺术品和4个货架灰烬、可拱白胶、丙烯酸粘合剂、丙烯酸清漆、柏树树叶、木炭、粉彩、纸张、木材和各种不同尺寸的物品（2018年） by Dalia Baassiri 高清作品[39%]

Near Vesuvius 2018 Installation achieved during an art residency at Espronceda Center of Art and Culture in Barcelona (Spain), Artist in residence award Arte Laguna Prize 12th edition. 15 artworks and 4 shelves Ash, Archivable white glue, acrylic binder, acrylic varnish, cypress tree leaves, charcoal, pastel, paper, wood and various objects Variable sizes (2018)

材质 : 尺寸 :

2018年维苏威火山附近，在西班牙巴塞罗那埃斯隆塞达艺术与文化中心的艺术居住期间完成的装置，居住艺术家奖拉古纳艺术奖第12版。15件艺术品和4个货架灰烬、可拱白胶、丙烯酸粘合剂、丙烯酸清漆、柏树树叶、木炭、粉彩、纸张、木材和各种不同尺寸的物品（2018年）-达莉亚·巴西里

英文名称:Near Vesuvius 2018 Installation achieved during an art residency at Espronceda Center of Art and Culture in Barcelona (Spain), Artist in residence award Arte Laguna Prize 12th edition. 15 artworks and 4 shelves Ash, Archivable white glue, acrylic binder, acrylic varnish, cypress tree leaves, charcoal, pastel, paper, wood and various objects Variable sizes (2018)-Dalia Baassiri

相关：
艺术流派的 20世纪你最喜欢的艺术流派 文艺复兴时期的艺术流派是什么 艺术流派与影像的关系 文艺复兴时期艺术作品特征 1977艺术流派
首页 主题 艺术运动 风景