Maison des Beaux Arts de L’Indochine 中南半島美術學院 | View of a Landscape of the Middle Region of North Vietnam 北越中部風光-Maison-des-Beaux-Arts-de-L’Indochine
(印度支那美术馆中南半島美術學院 | 北越中部地区景观图北越中部風光-印度支那美术馆)
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风筝安装图,上海外滩美术馆(2010-2011) by Cai Guo-Qiang 蔡国强 高清作品[48%]
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大公牛冲锋,1961年 by Ferdinand Parpan 高清作品[47%]
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帕埃斯图姆、赫拉一世和赫拉二世神庙景观。大教堂、波塞冬神庙和谷神殿。(1778) by Giovanni Battista Piranesi 高清作品[37%]
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帕埃斯图姆大神庙的屋内`
Interior of the Great Temple at Paestum (1818) by Isaac Weld 高清作品[37%]
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大天使迈克尔,圣母与圣子三联图`Archangel Michael, Triptych of the Virgin and Child by Jan van Eyck 高清作品[36%]
图片文件尺寸: 3907×15000 px
大天使迈克尔,圣母与圣子三联图-简·范艾克先生
-Jan van Eyck ( 1390-1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
The Dresden Triptych (or Virgin and Child with St. Michael and St. Catherine and a Donor, or Triptych of the Virgin and Child) is a very small hinged-triptych altarpiece by the Early Netherlandish.
The paintings of the two outer wings become visible when the triptych is closed. They show the Virgin Mary and Archangel Gabriel in an Annunciation scene painted in grisaille, which because of their near-monochrome colouring give the impression that the figures are sculpted. The three inner panels are set in an ecclesiastical interior. In the central inner panel Mary is seated and holds the Christ Child on her lap. On the left hand wing Archangel Michael presents a kneeling donor, while on the right St. Catherine of Alexandria stands reading a prayer book.
Archangel Michael, Triptych of the Virgin and Child (Oil on Canvas), by Jan van Eyck