2. 巴里·勒瓦(1969年被省略部分的省略部分,艺术家的收藏,于1969年5月19日至6月6日在惠特尼博物馆“反错觉:程序/材料”中安装)(灰尘图片) - 维克·穆尼兹 高清作品[49%]

Barry Le Va (Omitted Section of a Section Omitted, 1969, Collection of the Artist, Installed at the Whitney Museum in \\\"Anti-Illusion: Procedures/Materials,\\\" May 19-June 6, 1969) (Pictures of Dust)-Vik-Muniz
(巴里·勒瓦(1969年被省略部分的省略部分,艺术家的收藏,于1969年5月19日至6月6日在惠特尼博物馆“反错觉:程序/材料”中安装)(灰尘图片)-维克·穆尼兹)

3. 1968年,理查德·塞拉(Richard Serra)于1969年4月4日至5月5日在惠特尼博物馆(Whitney Museum)的《当代美国雕塑:精选2》(the当代美国雕塑:精选2)中展出(灰尘图片) - 维克·穆尼兹 高清作品[47%]

  • Vik Muniz
  • After Richard Serra, Prop, 1968, Installed at the Whitney Museum in \"Contemporary American Sculpture: Selection 2,\" April 4-May 5, 1969 (Pictures of Dust)
  • signed and dated 2000 on a label affixed to the reverse
  • c-print mounted on sintra
  • After Richard Serra, Prop, 1968, Installed at the Whitney Museum in \"Contemporary American Sculpture: Selection 2,\" April 4-May 5, 1969 (Pictures of Dust)-VIK-MUNIZ
    (1968年,理查德·塞拉(Richard Serra)于1969年4月4日至5月5日在惠特尼博物馆(Whitney Museum)的《当代美国雕塑:精选2》(the当代美国雕塑:精选2)中展出(灰尘图片)-维克·穆尼兹)

    6. 大门房 - 7008×4574px 高清作品[37%]

    AF1590869-house Du Portail

    图片文件尺寸 : 7008×4574 px

    大门房-house Du Portail

    -The Pearl S. Buck House at Green Hills Farm, an example of 19th century (built 1825[4]) Pennsylvanian architecture, is constructed of coursed fieldstone. It is four bays wide and two deep with the main entrance located in the second bay. Two gable dormers are located on the front and rear slope of the roof. Chimneys are located on each gable end. When Buck purchased the farmstead, she made extensive alterations and additions to the 19th century farmhouse, including a two-story fieldstone wing added to the east gable and two libraries. Today, visitors can tour twelve rooms of the home and visit the pre-Revolutionary War cottage on the property and the barn built in 1827.

    In the large library, two Pennsylvania jugs serve as lamp bases upon a hand carved Chinese hardwood desk, at which Buck wrote her breakthrough novel The Good Earth. Buck filled her home with works of original art by Chen Chi and Freeman Elliot[citation needed], iron works of art produced by exiled artisans in China, Peking Fetti carpets that survived revolutions in China, and some of her own sculptures