图片文件尺寸 : 3600×3600 px
不，这是一个完整的句子-No Is A Complete Sentence
2.
新订单的句子：now changes（2018） by Hassan Khan 高清作品[38%]
材质 :LED lights on Gewiss GW68003N electricity box 尺寸 :43.5 × 22 × 9.6 cm Installation
新订单的句子：now changes（2018）-哈山尔罕(British-Egyptian, b. 1975)
英文名称:Sentences for a New Order: now changes (2018) | Available for Sale-Hassan Khan
3.
庞俊龎均 | 窗外的古堡窗外古城 高清作品[37%]
-Pang-Jiun-龎均-
庞俊龎均 | 窗外的古堡窗外古城）
4.
带凸起书法、花卉和几何图案句子碎片的模制光泽瓷砖（13世纪早期） by Unknown 高清作品[37%]
材质 :Molded fritware polychrome painted over white slip under transparent glaze 尺寸 :Phoenix Art Museum Design\\\\u002FDecorative Art
带凸起书法、花卉和几何图案句子碎片的模制光泽瓷砖（13世纪早期）-未知的(Unknown)
英文名称:Molded Luster Tile with Sentence Fragment in Raised Calligraphy, Floral and Geometric Motifs (early 13th century)-Unknown
5.
黄金句子（爱来自最意想不到的地方。）(2005-2019) by Dora García 高清作品[37%]
材质 :Letters painted in gold leaf. Dimension variable. Each sentence is possible in any language. Typography: Helvetica Bold 尺寸 :ProjecteSD Installation
黄金句子（爱来自最意想不到的地方。）(2005-2019)-多拉·加西亚(Spanish, b. 1965)
英文名称:Golden sentence (Love comes from the most unexpected places.) (2005-2019)-Dora García
6.
1946年，有废墟的古城门（傍晚）。 by Christian Arnold 高清作品[36%]
作品材质 : Oil on fibreboard
图片文件尺寸 : 4859 x 3695 px
1946年，有废墟的古城门（傍晚）。-克里斯蒂安·阿诺德
英文名称:Altes Stadttor mit Ruinen (Abend), 1946.-Christian Arnold
7.
利安德大厦和远处的古城君士坦丁堡 - 卡尔·萨尔茨曼 高清作品[35%]
Leander\'s Tower and the Old City Beyond, Constantinople-CARL-SALTZMANN
（利安德大厦和远处的古城君士坦丁堡-卡尔·萨尔茨曼）
8.
以字母T开头的六个道德句子，1875年`Six Moral Sentences Beginning With The Letter T, 1875 by American School 高清作品[34%]
图片文件尺寸: 5957×4500 px
以字母T开头的六个道德句子，1875年-美国学校
-Six Moral Sentences Beginning With The Letter T, 1875 (illustration), by 美国艺术家 School
9.
句子结构（2011） by Wesley Clark 高清作品[34%]
材质 :Wood, xerox transfer, oil, nails Varied 尺寸 :Galerie Myrtis Mixed Media
句子结构（2011）-韦斯利·克拉克。(American)
英文名称:Sentence Structure (2011) | Available for Sale-Wesley Clark
10.
河上的房屋——古城，1914年`Houses on the River - The Old Town, 1914 by Egon Schiele 高清作品[33%]
图片文件尺寸: 6700×5556 px
河上的房屋——古城，1914年-埃贡·席勒
-Houses on the River belongs to an extensive group of urban landscapes that Egon Schiele painted during the course of his career. For a long time it was wrongly identified as an urban view of Wachau, a town in lower Austria where Schiele painted on several occasions, until it was subsequently demonstrated that the scene in fact represented Krumau, a small Bohemian village on the banks of the river Moldava (now Cesky´ Krumlov, Czech Republic). After Schiele visited it with his friends Anton Peschka and Ervin Osense in summer 1910, he decided that this village, where his mother was born, was a perfect refuge from hectic Vienna. He settled there permanently in 1911 with his model Wally Neuzil, and its narrow streets, the geometry of its buildings and its medieval constructions soon became one of his favourite motifs.
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