4. 中午,阳光明媚,五彩缤纷。一切都那么。我总是迷失在色彩中。2022年,我努力重新找回自我 by Kristi Kongi 高清作品[36%]

Noon in its brightness was full of colour. There was so much of everything. That I was constantly losing myself in the colours. And I struggled to find myself again, 2022

材质 :Watercolour, gel pen on paper, wooden frame, glass 尺寸 :28 × 24 cm Painting

中午,阳光明媚,五彩缤纷。一切都那么。我总是迷失在色彩中。2022年,我努力重新找回自我-克里斯蒂·孔吉()

英文名称:Noon in its brightness was full of colour. There was so much of everything. That I was constantly losing myself in the colours. And I struggled to find myself again, 2022-Kristi Kongi

7. 威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)和圣婴的哭泣肖像(以莱昂纳(LEONARDO)的名字命名) - 弗朗西斯科·维佐利- 高清作品[34%]

 CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
(威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)和圣婴的哭泣肖像(以莱昂纳(LEONARDO)的名字命名)-弗朗西斯科·维佐利-)

9. 《建筑的秩序》,文艺复兴时期的立克秩序,出自Vincenzo Scamozzi,立面图` Orders of Architecture, Renaissance Doric Order from Vincenzo Scamozzi, Elevation (1870) by Carl (Charles) J. Furst 高清作品[32%]

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Orders of Architecture, Renaissance Doric Order from Vincenzo Scamozzi, Elevation (1870) -

图片文件尺寸: 2143 x 3000px

《建筑的秩序》,文艺复兴时期的立克秩序,出自Vincenzo Scamozzi,立面图-卡尔(查尔斯)J·弗斯特

~ Orders of Architecture, Renaissance Doric Order from Vincenzo Scamozzi, Elevation (1870) --Carl (Charles) J. Furst (美国艺术家, 1840-1919)