2. 从1992年到现,几乎所有电影视频作品都如此。可以显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中) by Douglas Gordon 高清作品[34%]

Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)

材质 :Multi-channel video installation, black-and-white and color, on monitors 尺寸 :San Francisco Museum of Modern Art (SFMOMA) Installation

从1992年到现,几乎所有电影视频作品都如此。可以显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中)-道格拉斯·戈登(Scottish, b. 1966)

英文名称:Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)-Douglas Gordon

3. 矿工废弃中国大院中铺位,之所以这样称呼,因为它可能1904年至1910年间安置了契约中国劳工。20世纪50年代被遗弃之前,黑人矿工住这里。小火杰克金矿,杰米斯顿。1965年7月,1965年 by David Goldblatt 高清作品[33%]

Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965

材质 :Silver gelatin photograph on fibre-based paper 尺寸 :55 × 44.5 cm Photography

图片文件尺寸 : 5630 x 4332px

矿工废弃中国大院中铺位,之所以这样称呼,因为它可能1904年至1910年间安置了契约中国劳工。20世纪50年代被遗弃之前,黑人矿工住这里。小火杰克金矿,杰米斯顿。1965年7月,1965年-大卫·戈德布拉特(South African, 1930–2018)

英文名称:Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965-David Goldblatt

4. 对于海洛因女主人公来说,维纳斯间复活静脉注射亲密沿着方位角进入爱情(总已经失去)入口;或者,如何使用符号逻辑迈克尔湾攻击两栖动物,同时广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高时候……),2020年 by objet A.D 高清作品[32%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因女主人公来说,维纳斯间复活静脉注射亲密沿着方位角进入爱情(总已经失去)入口;或者,如何使用符号逻辑迈克尔湾攻击两栖动物,同时广场完工时保持坐姿(否则,就去问爱丽丝……当她十英尺高时候……),2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

5. 罗马竞技场其他罗马纪念碑古典景观;一幅古典风景画,人物湖前休息,远处一座城堡 - 简-弗兰斯-范-弗劳尔斯-叫奥里佐特 高清作品[32%]

A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond

  • Jan Frans van Bloemen, called l;Orizzonte
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond-JAN-FRANS-VAN-BLOEMEN,-CALLED-L\'ORIZZONTE
    (罗马竞技场其他罗马纪念碑古典景观;一幅古典风景画,人物湖前休息,远处一座城堡-简-弗兰斯-范-弗劳尔斯-叫奥里佐特)

    7. 一个蓝色白色人物一个蓝色白色龙凤碗,中国,20世纪 - A-蓝白-#x27;图#x27-蓝白相间罐子#x27;龙凤#x27-20世纪中国 高清作品[30%]

    A blue and white figures jar and a blue and white dragon and phoenix bowl, China, 20th century-A-blue-and-white-#x27;figures#x27;-jar-and-a-blue-and-white-#x27;dragon-and-phoenix#x27;-bowl-China-20th-century

    A blue and white figures jar and a blue and white dragon and phoenix bowl, China, 20th century-A-blue-and-white-#x27;figures#x27;-jar-and-a-blue-and-white-#x27;dragon-and-phoenix#x27;-bowl-China-20th-century
    (一个蓝色白色人物一个蓝色白色龙凤碗,中国,20世纪-A-蓝白-#x27;图#x27-蓝白相间罐子#x27;龙凤#x27-20世纪中国