1. 2021,铁幕、室内设计和遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学 by objet A.D 高清作品[60%]

Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021

材质 :Charcoal and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

2021,铁幕、室内设计和遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学-目标A.D()

英文名称:Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021-objet A.D

4. 探索真理;花球(3D)-变成红色!;花球(3D)-红色、粉色、蓝色;花球(3D)-纸草;花球(3D)-蓝色、红色;毕加索思想;这个世界上没有永恒的东西。这就是你美丽的原因;嘿你你能感受到我的感受吗?;花球(3D)-红色球;了解2013-2015年的第51维度 by Takashi Murakami 高清作品[35%]

Groping for the Truth; Flowerball (3D) – Turn Red!; Flowerball (3D) – Red, Pink, Blue; Flowerball (3D) – Papyrus; Flowerball (3D) – Blue, Red; Thoughts on Picasso; There is Nothing Eternal in this World. That is Why You are Beautiful; Hey! You! Do You Feel What I Feel?; Flowerball (3D) – Red Ball; and Comprehending the 51st Dimension, 2013-2015

材质 :Lithographs in colours, on smooth wove paper 尺寸 :71 × 71 cm Print

图片文件尺寸 : 5630 x 4332px

探索真理;花球(3D)-变成红色!;花球(3D)-红色、粉色、蓝色;花球(3D)-纸草;花球(3D)-蓝色、红色;毕加索思想;这个世界上没有永恒的东西。这就是你美丽的原因;嘿你你能感受到我的感受吗?;花球(3D)-红色球;了解2013-2015年的第51维度-村上隆(Japanese, b. 1962)

英文名称:Groping for the Truth; Flowerball (3D) – Turn Red!; Flowerball (3D) – Red, Pink, Blue; Flowerball (3D) – Papyrus; Flowerball (3D) – Blue, Red; Thoughts on Picasso; There is Nothing Eternal in this World. That is Why You are Beautiful; Hey! You! Do You Feel What I Feel?; Flowerball (3D) – Red Ball; and Comprehending the 51st Dimension, 2013-2015-Takashi Murakami

5. 回声描绘——威尔·赛尔夫(Will Self)在大雅茅斯(Great Yarmouth)的海滨画了一幅漫画艺术家的肖像,同时向我描述了三十年后世界如何终结,2019年7月10日(2016年9月10日) by Ryan Gander 高清作品[35%]

Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)

材质 :Acrylic on mirror 尺寸 :206.1 × 148.3 × 0.5 cm Painting

回声描绘——威尔·赛尔夫(Will Self)在大雅茅斯(Great Yarmouth)的海滨画了一幅漫画艺术家的肖像,同时向我描述了三十年后世界如何终结,2019年7月10日(2016年9月10日)-瑞安·甘德(British, b. 1976)

英文名称:Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)-Ryan Gander

6. 在明斯特(期待)。Zwinglihaus Zürich Wiedikon的玻璃窗设计(整体构成)` Im Münster (Erwartung). Entwurf für das Glasfenster im Zwinglihaus Zürich~Wiedikon (Gesamtkomposition) (1923~24) by Otto Meyer-Amden 高清作品[33%]

`
Im Münster (Erwartung). Entwurf für das Glasfenster im Zwinglihaus Zürich`Wiedikon (Gesamtkomposition) (1923`24) -

图片文件尺寸: 3452 x 4345px

在明斯特(期待)。Zwinglihaus Zürich Wiedikon的玻璃窗设计(整体构成)-奥托·迈耶·阿姆登

` Im Münster (Erwartung). Entwurf für das Glasfenster im Zwinglihaus Zürich`Wiedikon (Gesamtkomposition) (1923`24) --Otto Meyer-Amden (瑞士画家, 1885 - 1933)