2. 复活节` by Meinong 高清作品[24%]

DO-Meinong - Osterauktion
图片文件像素:4600 x 3500 px

复活节拍卖会-

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(19世纪德国画家)两幅画:a)四分之三的绅士肖像,描绘为画家,左下角署名:美,日期:1841年;b) 四分之三的一位年轻高贵女士的肖像,坐在风景画前面,左下角系有连字的花押字:M?,右边的小裂缝;画布上的油,每个约115 x 91厘米,镀金的原始灰泥框架,部分受损,部分缺失Ruf 1.500

6. GENESIS,《福克兰群岛黑信天翁》(2009年) by Sebastião Salgado 高清作品[23%]

GENESIS, ‘Black-Browed Albatrosses, Falkland Islands’ (2009) | Available for Sale

材质 :Gelatin silver print, 13 x 10 in. on 16 x 12 in. paper, 2 hardcover volumes, leather-bound, 18.4 x 27.6 in., 704 pages, with booklet and wooden bookholder designed by Tadao Ando 尺寸 :25.4 × 33 cm Photography

GENESIS,《福克兰群岛黑信天翁》(2009年)-塞巴斯蒂安·萨尔加多(Brazilian, b. 1944)

英文名称:GENESIS, ‘Black-Browed Albatrosses, Falkland Islands’ (2009) | Available for Sale-Sebastião Salgado

8. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年) by Jamil Hellu 高清作品[14%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

9. 《盆景——微观世界宏观世界》中的“4020”(《盆景——微观世界宏观世界》中的“4018”) by Yamamoto Masao 高清作品[14%]

\'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale

材质 :Gelatin silver print 尺寸 :25.1 × 32.8 cm Photography

《盆景——微观世界宏观世界》中的“4020”(《盆景——微观世界宏观世界》中的“4018”)-山本正雄

英文名称:\'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale-Yamamoto Masao