图片文件尺寸: 4346 x 4408px
用羊头装饰的佩弗伦舞台-科内利斯骑警
~ Toneelscène uit Pefroen met het schaapshoofd (1740) --Cornelis Troost (荷兰艺术家, 1696 - 1750)
材质 : 尺寸 : Design\\\\u002FDecorative Art
图片文件尺寸 : 5630 x 4332px
一对带软垫的躺椅,椅子腿用硬木做成。由Joaquim Tenreiro设计,巴西,1950年代。(座位:16“)约1950年-若阿金·滕雷罗(Portuguese-Brazilian, 1906–1992)
英文名称:Pair of upholstered lounge chairs with turned hardwood legs. Designed by Joaquim Tenreiro, Brazil, 1950s. (Seat: 16\"), ca. 1950-Joaquim Tenreiro
材质 :Oil paint over sanguine ink etching on velin arches cream paper 尺寸 :20 × 28 cm Print
小丑们用棍棒或坦克形状的短裙驱魔(无论哪种方式,他们最终都是阳具)(2021年)-詹姆斯·罗杰斯(British, b. 1993)
英文名称:Harlequins exorcise their demons with clubs or tank shaped tutu dresses (either way they both end up being phallic) (2021) | Available for Sale-James Rogers
图片文件尺寸: 5500×4151 px
颜色研究,带同心圆的正方形-瓦西里·康定斯基
-Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.
In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe\'s private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolution, Kandinsky \"became an insider in the cultural administration of Anatoly Lunacharsky\" and helped establish the Museum of the Culture of Painting. However, by then \"his spiritual outlook... was foreign to the argumentative materialism of Soviet society\", and opportunities beckoned in 德国艺术家y, to which he returned in 1920. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a 法国艺术家 citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944.