913. 亚历山大·波普强奸锁后的厕所`The Toilet, from The Rape of the Lock by Alexander Pope by Aubrey Beardsley 高清作品[18%]

AF-The Toilet, from The Rape of the Lock by Alexander Pope

图片文件尺寸: 4034×6000 px

亚历山大·波普强奸锁后的厕所-奥布里·比尔兹利

-Aubrey Vincent Beardsley (1872-1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. He is one of the important Modern Style (British Art Nouveau style) figures.
In this drawing, Aubrey Beardsley illustrates an early scene in Alexander Pope’s satirical masterpiece The Rape of the Lock (1712) in which the heroine, Belinda, primps in her boudoir. Reflecting the poem’s emphasis on contrived rather than natural beauty, the drawing is densely layered with artifice. A view of an idyllic garden with a cupola-topped pavilion is glimpsed not through a window as it would first seem, but on a folding screen. The bejeweled bottles littering the table serve as emblems of Belinda’s vanity.
The Toilet, from The Rape of the Lock by Alexander Pope, 1895-1896 (lithograph), by Aubrey Beardsley

918. 巧克力我们的美国devich和在亚历山大修道院。扎普雷斯托尔灯泡，背景和，Podsvechniki、zamok、椅子和美丽的Margarit Alekseevny香水` Kolokolnia v Uspenskom devichem monastyre goroda Aleksandrova. Zaprestolnyi krest, fonar, podsvechniki, zamok, stul i peremenat tsarevny Margarity Alekseevny (1849 ~ 1853) by Fedor Grigoryevich Solntsev 高清作品[17%]

~ Kolokolnia v Uspenskom devichem monastyre goroda Aleksandrova. Zaprestolnyi krest, fonar, podsvechniki, zamok, stul i peremenat tsarevny Margarity Alekseevny (1849 ~ 1853) -

图片文件尺寸: 4240 x 6595px

巧克力我们的美国devich和在亚历山大修道院。扎普雷斯托尔灯泡，背景和，Podsvechniki、zamok、椅子和美丽的Margarit Alekseevny香水-费多格里戈里耶维奇

~ Kolokolnia v Uspenskom devichem monastyre goroda Aleksandrova. Zaprestolnyi krest, fonar, podsvechniki, zamok, stul i peremenat tsarevny Margarity Alekseevny (1849 ~ 1853) --Fedor Grigoryevich Solntsev (Russian, 1801 – 1892)

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波普艺术和美国抽象表现主义的区别 抽象表现主义和波普艺术的不同 波普艺术反对抽象表现主义 波普艺术与抽象表现主义对比 波普艺术与抽象表现主义的差异 新表现主义和波普艺术
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