English crusaders “diamond max” modem_DIANA-Petra-Cortright
（英国十字军“钻石max”现代版-佩特拉·科尔特里特）

图片文件像素：4800 x 3400 px

现代性的约瑟夫·斯托伊茨纳-

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(Vienna 1884–1951 Bramberg, Pinzgau)
“Gläser mit Geranien vor einem Fenster”, c. 1947, signed Jos. Stoitzner, oil on canvas, 60 x 50 cm, framed

图片文件像素：4800 x 3400 px

圣彼得罗学院-现代-

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(Desenzano del Garda 1897–1946 Venice)
Ritorno dal Monfenera (Guardiana di capre), 1932, signed and dated, oil on wood, 55.5 x 33 cm, framed

图片文件像素：4800 x 3400 px

Alexej von Jawlensky-现代版-

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(Torschok 1864–1941 Wiesbaden)
Variation, Winter, 1915, No 54, monogrammed A. J., oil on linen structured paper, 36.2 x 27.2 cm, on cardboard, 44.7 x 33.7 cm, on the reverse signed, dated, inscribed A. Jawlensky, 1915, n. 54 (faded), Winter L (strikethrough) with orange colored pencil, lower right 316. Stamp Dr. Joseph Drexel Nürnberg Marienplatz 5, numbered 6 in orange approx. from Lisa Kümmel and no 316 in blue colored pencil from another hand, framed

After the outbreak of the First World War, Jawlensky, as a Russian citizen, was forced to flee Germany together with his family. Within a very short time, he had to leave behind his life and all his possessions. The family found refuge in Saint Prex on Lake Geneva. His life changed quite suddenly. From a turbulent, luxurious lifestyle, made possible for him by his patroness Marianne von Werefkin, he went quite suddenly into a politically enforced isolation.
The view out of his window, of a world that continued to turn without him, became a motif for the series of works that include Variation: Winter, 1915 No. 54. The changes in nature over the seasons, but also the change in Jawlensky’s state of mind over the course of his prolonged exile, are visible in the series of works. As time progresses, his expressionist style continues to develop. With the ‘Variations on a Land-scape Theme’, Jawlensky continued his artistic development and laid the groundwork for his later portraits, the ‘Abstract Heads’.
Variation: Winter, 1915 No. 54 is part of an important series in the painter’s oeuvre. Jawlensky made use of the exile and his social isolation to develop his artistic practice and created a new era in his work with what was available to him at the time. The imposed isolation and the view out of the window as the only experience of day-to-day life are strongly reminiscent of the current pandemic. Jawlensky survived this difficult time and found refuge in art.
The ‘Variations on a Landscape Theme’ are a testament to man’s perseverance, his ability to endure and to learn from prolonged difficulties. Variation: Winter, 1915 No. 54 is a sign of such a time and is an example of successful handling of a crisis – and is, moreover, a colourful, luminous, glimmer of hope.

“Initially, I wanted to continue working in St. Prex as I had done in Munich. But something inside me stopped me from painting the colourful, sensual pictures I had painted before. My soul had changed after so much suffering, and that meant I had to find other forms and colours to express myself. I began to paint what I called my ‘variations on a landscape theme’ that I saw from my window – few trees, a path and the sky.”

Alexej Jawlensky, Memoirs, 1937

材质 :Soft pastel on paper 尺寸 :70 × 50 cm Painting

马拉穆拉o是现代的，2022年-里克·巴洛伊()

英文名称:Malamula o huma mudhendeni, 2022-Rick Baloyi

材质 :Oil on panel 尺寸 :56.5 × 152.1 cm Painting

苏格兰现代艺术博物馆，2019-派特里克·休斯()

英文名称:The Scottish Museum of Modern Art, 2019-Patrick Hughes

图片文件尺寸: 3912 x 3278px

玛丽节装饰纸（玛丽节装饰纸）-科罗曼·莫塞尔

~ Ein Marientag Buntpapier (A Marys Day Decorated Paper) (1901) --Koloman Moser (奥地利艺术家, 1868 – 1918)

材质 :Lacquered wood with silkscreened decorative motifs and brass hinges 尺寸 :206 × 200 cm Design\\\\u002FDecorative Art

一块罕见的四面板屏风，正面装饰着“Grattacielo del Rinaccimento”图案，背面装饰着经典图案（约1950年）-皮耶罗·福纳塞蒂先生(Italian, 1913–1988)

英文名称:A rare four panel screen decorated with the \'Grattacielo del Rinascimento\' motif on the front and a classical motif on the rear (ca. 1950)-Piero Fornasetti

材质 :Lacquered wood with silkscreened decorative motifs and brass hinges 尺寸 :206 × 200 cm Design\\\\u002FDecorative Art

一个罕见的四面板屏幕，正面装饰着“Grattacielo del Rinaccimento”图案，背面装饰着“Arlecchini”图案（约1950年）-皮耶罗·福纳塞蒂先生(Italian, 1913–1988)

英文名称:A rare four panel screen decorated with the \'Grattacielo del Rinascimento\' motif on the front and the \'Arlecchini\' motif on the rear (ca. 1950)-Piero Fornasetti

材质 :Mixed media on canvas 尺寸 :70 × 60 cm Painting

图片文件尺寸 : 5630 x 4332px

装饰，2022年-曼迪·拉辛(British, b. 1960)

英文名称:Adorned, 2022-Mandy Racine