891. 为琼斯和威利斯、伯明翰和伦敦的金属和木材工人以及教堂家具制造商执行的设计4` Designs executed for Jones and Willis, metal and wood~workers and church furniture manufacturers of Birmingham and London 4 by George Edmund Street 高清作品[16%]

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Designs executed for Jones and Willis, metal and wood~workers and church furniture manufacturers of Birmingham and London 4-

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为琼斯和威利斯、伯明翰和伦敦的金属和木材工人以及教堂家具制造商执行的设计4-乔治·埃德蒙街

~ Designs executed for Jones and Willis, metal and wood~workers and church furniture manufacturers of Birmingham and London 4--George Edmund Street

892. 为琼斯和威利斯、伯明翰和伦敦的金属和木材工人以及教堂家具制造商执行的设计3` Designs executed for Jones and Willis, metal and wood~workers and church furniture manufacturers of Birmingham and London 3 by George Edmund Street 高清作品[16%]

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Designs executed for Jones and Willis, metal and wood~workers and church furniture manufacturers of Birmingham and London 3-

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为琼斯和威利斯、伯明翰和伦敦的金属和木材工人以及教堂家具制造商执行的设计3-乔治·埃德蒙街

~ Designs executed for Jones and Willis, metal and wood~workers and church furniture manufacturers of Birmingham and London 3--George Edmund Street

893. 为琼斯和威利斯、伯明翰和伦敦的金属和木材工人以及教堂家具制造商执行的设计7` Designs executed for Jones and Willis, metal and wood~workers and church furniture manufacturers of Birmingham and London 7 by George Edmund Street 高清作品[16%]

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Designs executed for Jones and Willis, metal and wood~workers and church furniture manufacturers of Birmingham and London 7-

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为琼斯和威利斯、伯明翰和伦敦的金属和木材工人以及教堂家具制造商执行的设计7-乔治·埃德蒙街

~ Designs executed for Jones and Willis, metal and wood~workers and church furniture manufacturers of Birmingham and London 7--George Edmund Street

894. 在A处均匀地使用颜色,在B处使用同一颜色的渐变效果` Flat and Uniform Application of Colours at A, and Gradated Effect of the same Colours,used with a Full Brush at B (1912) by James Ward 高清作品[16%]

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Flat and Uniform Application of Colours at A, and Gradated Effect of the same Colours,used with a Full Brush at B (1912) -

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在A处均匀地使用颜色,在B处使用同一颜色的渐变效果-詹姆斯·瓦德

~ Flat and Uniform Application of Colours at A, and Gradated Effect of the same Colours,used with a Full Brush at B (1912) --James Ward (Irish, 1851–1924)

896. 燃煤热水器和家具的商业或贸易展览设计。][带彩虹边的橙色透视草图` Designs for staged commercial or trade exhibition displays of coal~fired water heaters and furniture.] [Perspective sketch in orange with rainbow edges (1925) by Winold Reiss 高清作品[16%]

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Designs for staged commercial or trade exhibition displays of coal~fired water heaters and furniture.] [Perspective sketch in orange with rainbow edges (1925) -

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燃煤热水器和家具的商业或贸易展览设计。][带彩虹边的橙色透视草图-温诺德赖斯

~ Designs for staged commercial or trade exhibition displays of coal~fired water heaters and furniture.] [Perspective sketch in orange with rainbow edges (1925) --Winold Reiss (美国艺术家, 1886-1953)

898. 托马斯·乌文斯,R.A.19世纪的油画。 by Thomas Uwins, R. A. 高清作品[16%]

DO-Thomas Uwins, R. A. - Ölgemälde und Aquarelle des 19. Jahrhunderts
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托马斯·乌文斯,R.A.19世纪的油画

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(London 1872-1857) Die Tarantella, rückseitig bezeichnet, datiert und betitelt T. Uwins-1842- \"A Neapolitan peasant teaching her child to dance the Tarantella\", Öl auf Holz, 70 x 91 cm, gerahmt, (GG)

Ausgestellt:
London, British Institution, 1865


Die Tarantella ist ein Volkstanz, der sich durch seine typischen leichtfüßigen und schnellen Sprüngen und Drehungen auszeichnet. Thomas Uwins lebt von 1824 bis 1831 in Italien und spezialisierte sich in der Darstellung bäuerlicher Szenen. Das Model für das Kind war seine Nichte. Der Golf von Salerno ist im Hintergrund. Ein kleinere Version besitzt das Victoria & Albert Museum in London.