892. 2000年后2014年(2014-2016年)在AmericanOphir重播《霍洛弗内斯悲惨愚蠢》 by Umar Rashid (Frohawk Two Feathers) 高清作品[5%]

On the tragic folly of Holofernes, replayed at the AmericanOphir two millennia later 2014 (2014-2016)

材质 :Acrylic on deer hide 尺寸 :137 × 137 cm Painting

2000年后2014年(2014-2016年)在AmericanOphir重播《霍洛弗内斯悲惨愚蠢》-乌马尔·拉希德(两根羽毛)

英文名称:On the tragic folly of Holofernes, replayed at the AmericanOphir two millennia later 2014 (2014-2016)-Umar Rashid (Frohawk Two Feathers)

893. 一幅宽阔风景画,路上有马车和优雅人物,包括艺术家本人、两侧花园和田野,1747年 by Francesco Panini 高清作品[5%]

An extensive landscape with carriages and elegant figures on a road, including the artist himself, gardens and fields on either side, 1747

材质 :Oil on canvas 尺寸 :130 × 97 cm Painting

一幅宽阔风景画,路上有马车和优雅人物,包括艺术家本人、两侧花园和田野,1747年-弗朗西斯科·帕尼尼()

英文名称:An extensive landscape with carriages and elegant figures on a road, including the artist himself, gardens and fields on either side, 1747-Francesco Panini

894. 《利维坦热气》(详细灵感来自林堡兄弟,摘自《贝瑞公爵非常富有时代》,15世纪),2022年 by Joris Van de Moortel 高清作品[5%]

The hot breath of Leviathan (detail inspired by the Limbourg Brothers, from “Les très riches heures du Duc de Berry”, 15th century), 2022

材质 :Oil on canvas, artist’s wooden frame 尺寸 :100 × 70 cm Painting

《利维坦热气》(详细灵感来自林堡兄弟,摘自《贝瑞公爵非常富有时代》,15世纪),2022年-乔里斯·范德穆特尔()

英文名称:The hot breath of Leviathan (detail inspired by the Limbourg Brothers, from “Les très riches heures du Duc de Berry”, 15th century), 2022-Joris Van de Moortel

895. 他曾在悉尼大多数商业画廊工作过,在仓库后面发现过几次,但在2000,他告诉我这并不奇怪,这只是Margaret Olley和Vivienne Binns在他手机画上照片,而不是他周围废话,2021。 by Dale Frank 高清作品[5%]

He has worked for most of the commercial galleries in Sydney and has been found more than a few times masterbating in the back of stockrooms but in 2000 he told me it was not weird, it was only to pictures on his phone of paintings by Margaret Olley and Vivienne Binns, not the crap around him, 2021

材质 :Colour pigments in easycast resin, epoxyglass, on Perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

他曾在悉尼大多数商业画廊工作过,在仓库后面发现过几次,但在2000,他告诉我这并不奇怪,这只是Margaret Olley和Vivienne Binns在他手机画上照片,而不是他周围废话,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:He has worked for most of the commercial galleries in Sydney and has been found more than a few times masterbating in the back of stockrooms but in 2000 he told me it was not weird, it was only to pictures on his phone of paintings by Margaret Olley and Vivienne Binns, not the crap around him, 2021-Dale Frank

896. 被遗弃女人和被遗弃灵魂永恒祭坛。然而,选择必须永远是她(forsaken和灵魂永恒祭坛重新燃起。但选择必须永远是她)(2020年) by Amber Robles-Gordon 高清作品[5%]

El altar eterno de las mujeres abandonadas y las almas renunciadas. Sin embargo, la elección siempre debe ser de ella, (The eternal altar for the women forsaken and souls relinquished. Yet the choice must always remain hers) (2020) | Available for Sale

材质 :Mixed media collage on canvas 尺寸 :45.7 × 61 cm Mixed Media

图片文件尺寸 : 5630 x 4332px

被遗弃女人和被遗弃灵魂永恒祭坛。然而,选择必须永远是她(forsaken和灵魂永恒祭坛重新燃起。但选择必须永远是她)(2020年)-琥珀罗伯斯戈登(American)

英文名称:El altar eterno de las mujeres abandonadas y las almas renunciadas. Sin embargo, la elección siempre debe ser de ella, (The eternal altar for the women forsaken and souls relinquished. Yet the choice must always remain hers) (2020) | Available for Sale-Amber Robles-Gordon