图片文件尺寸: 3408 x 4000px
冲进索莫西拉峡谷-Piotr Michałowski先生
~ Charge in the Gorge of Somosierra (1837) --Piotr Michałowski (波兰画家, 1800-1855)
82.
基督被抬进坟墓`
Christ Carried Down To The Tomb by Eugène Delacroix 高清作品[13%]
图片文件尺寸: 2788 x 3466px
基督被抬进坟墓-尤金·德拉克罗瓦
~ Christ Carried Down To The Tomb--Eugène Delacroix (法国艺术家, 1798-1863)
83.
基督被抬进坟墓`
Christ Carried to the Tomb (1607~1620) by Jacopo Palma il Giovane 高清作品[13%]
图片文件尺寸: 3868 x 2500px
基督被抬进坟墓-年轻的雅格布·帕尔玛
~ Christ Carried to the Tomb (1607~1620) --Jacopo Palma il Giovane (Italian, c. 1548-1628)
84.
你不应该诱惑别人`Thou Shalt Not Tempt by Simeon Solomon 高清作品[13%]
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你不应该诱惑别人-西蒙·所罗门
-Thou Shalt Not Tempt (Charcoal), by Simeon Solomon
85.
事情发生时我们应该去哪里（2020年） by Chou Tai-Chun 高清作品[13%]
材质 :Acrylic on canvas 尺寸 :91 × 116.5 cm Painting
事情发生时我们应该去哪里（2020年）-周泰春(Taiwanese, b. 1986)
英文名称:Where We Should Head to When Things Happen (2020) | Available for Sale-Chou Tai-Chun
86.
这个应该更大這應該更大 - Javier-Calleja-哈維爾·卡勒加- 高清作品[13%]
This Should Be Bigger 這應該更大-Javier-Calleja-哈維爾·卡勒加-
（这个应该更大這應該更大-Javier-Calleja-哈維爾·卡勒加-）
87.
1885年，离开纽恩改革宗教堂的会众`Congregation Leaving the Reformed Church in Nuenen, 1885 by Vincent van Gogh 高清作品[13%]
图片文件尺寸: 6155×8000 px
1885年，离开纽恩改革宗教堂的会众-文森特·梵高
-Congregation Leaving the Reformed Church in Nuenen, 1885 (Oil on Canvas), by Vincent van Gogh
88.
第一个应该是最后一个（除非你是第二个）（2020年） by Matt Eddmenson 高清作品[12%]
材质 :Acrylic, Color Pencil, Spray Paint, China Marker, Pen and Ink on Vintage Paper 尺寸 :47 × 38.1 cm Drawing, Collage or other Work on Paper
第一个应该是最后一个（除非你是第二个）（2020年）-马特·艾登森(American)
英文名称:The First Shall Be The Last (Unless You’re 2nd) (2020)-Matt Eddmenson
89.
大门`The Gate 高清作品[12%]
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大门
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90.
大门房 - 7008×4574px 高清作品[12%]
图片文件尺寸 : 7008×4574 px
大门房-house Du Portail
-The Pearl S. Buck House at Green Hills Farm, an example of 19th century (built 1825[4]) Pennsylvanian architecture, is constructed of coursed fieldstone. It is four bays wide and two deep with the main entrance located in the second bay. Two gable dormers are located on the front and rear slope of the roof. Chimneys are located on each gable end. When Buck purchased the farmstead, she made extensive alterations and additions to the 19th century farmhouse, including a two-story fieldstone wing added to the east gable and two libraries. Today, visitors can tour twelve rooms of the home and visit the pre-Revolutionary War cottage on the property and the barn built in 1827.
In the large library, two Pennsylvania jugs serve as lamp bases upon a hand carved Chinese hardwood desk, at which Buck wrote her breakthrough novel The Good Earth. Buck filled her home with works of original art by Chen Chi and Freeman Elliot[citation needed], iron works of art produced by exiled artisans in China, Peking Fetti carpets that survived revolutions in China, and some of her own sculptures
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