81. 幻想左边两个戴着帽子人,右边一个羽毛划伤人` Fantasie; links twee figuren met mutsjes naar rechts, rechts een ingekraste verschijning met verenkleed by Samuel Jessurun de Mesquita 高清作品[36%]

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Fantasie; links twee figuren met mutsjes naar rechts, rechts een ingekraste verschijning met verenkleed-

图片文件尺寸: 3400 x 4464px

幻想左边两个戴着帽子人,右边一个羽毛划伤人-塞缪尔·杰斯伦·德梅斯基塔

~ Fantasie; links twee figuren met mutsjes naar rechts, rechts een ingekraste verschijning met verenkleed--Samuel Jessurun de Mesquita (荷兰艺术家, 1868 – 1944)

82. 一位女士肖像(认为Therese Freifrau Von Bethmann,nee Freiin Vrints V Treuenfeld)(1850年) by Franz Xaver Winterhalter 高清作品[36%]

A Portrait of a Lady (thought to be Therese Freifrau Von Bethmann, nee Freiin Vrints V Treuenfeld) (1850) | Available for Sale

材质 :Oil on canvas 尺寸 :130 × 100 cm Painting

一位女士肖像(认为Therese Freifrau Von Bethmann,nee Freiin Vrints V Treuenfeld)(1850年)-弗朗兹·克萨韦尔·温特哈尔特

英文名称:A Portrait of a Lady (thought to be Therese Freifrau Von Bethmann, nee Freiin Vrints V Treuenfeld) (1850) | Available for Sale-Franz Xaver Winterhalter

85. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[35%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

86. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[35%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

89. 一位女士和一个孩子肖像,传统上认为鲁伯特王子(1619-1682)和他母亲波希米亚伊丽莎白(1596-1662) by Marcus Gheeraerts the Younger 高清作品[35%]

Portrait of a Lady and Child, traditionally identified as Prince Rupert (1619-1682) and his mother Elizabeth of Bohemia (1596-1662)

材质 :Oil on canvas 尺寸 :216.9 × 125.1 cm Painting

一位女士和一个孩子肖像,传统上认为鲁伯特王子(1619-1682)和他母亲波希米亚伊丽莎白(1596-1662)-小马库斯·盖尔茨(Anglo - Flemish, 1561–1636)

英文名称:Portrait of a Lady and Child, traditionally identified as Prince Rupert (1619-1682) and his mother Elizabeth of Bohemia (1596-1662)-Marcus Gheeraerts the Younger

90. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[35%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚作品,具有明确女权主义内涵,创作时对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez