83. 纽约的一个雨天,(芯片系统设计的另一个好处是,所有的东西都离得很近。在我们讨论的速度下,数据必须传输的距离,即使是以光速传输,也很重要。在SoC中,将数据传输到毫米甚至微米将比在母亲周围厘米(2021年)更快供出售 by Florian Meisenberg 高清作品[30%]

A rainy day in New York, (Another benefit of a system-in-a-chip design is that everything is so much closer together. At the speeds we are talking about, the distance data has to travel, even at the speed of light, can matter. It is going to be quicker to move data over millimetres or even microns within an SoC as opposed to centimetres around a mother (2021) | Available for Sale

材质 :Computer controlled permanent marker, oilpaint on canvas 尺寸 :112 × 102 cm Painting

纽约的一个雨天,(芯片系统设计的另一个好处是,所有的东西都离得很近。在我们讨论的速度下,数据必须传输的距离,即使是以光速传输,也很重要。在SoC中,将数据传输到毫米甚至微米将比在母亲周围厘米(2021年)更快供出售-弗洛里安(German, b. 1980)

英文名称:A rainy day in New York, (Another benefit of a system-in-a-chip design is that everything is so much closer together. At the speeds we are talking about, the distance data has to travel, even at the speed of light, can matter. It is going to be quicker to move data over millimetres or even microns within an SoC as opposed to centimetres around a mother (2021) | Available for Sale-Florian Meisenberg

84. 奥尔加·维辛格·弗洛里安19世纪的伊索尔绘画和水彩画。19世纪` by Olga Wisinger-Florian 高清作品[30%]

DO-Olga Wisinger-Florian - Ölgemälde und Aquarelle des 19. Jahrhunderts
图片文件像素:4600 x 3500 px

奥尔加·维辛格·弗洛里安19世纪的伊索尔绘画和水彩画。19世纪-

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(Wien 1844-1926 Grafenegg)
Abenddämmerung, signiert O. Wisinger-Florian, Öl auf Holz,33 x 21 cm, gerahmt, (Rei)

Wir danken Mag. Alexander Giese für die Bestätigung der Echtheit anhand des Originals, der dieses Werk in das in Erscheinung befindliche Werkverzeichnis, Olga Wisinger-Florian aufnehmen wird.

85. 奥尔加·维辛格·弗洛里安·伊索尔的19幅绘画和水彩画。19世纪的` by Olga Wisinger-Florian 高清作品[30%]

DO-Olga Wisinger-Florian - Ölgemälde und Aquarelle des 19. Jahrhunderts
图片文件像素:4600 x 3500 px

奥尔加·维辛格·弗洛里安·伊索尔的19幅绘画和水彩画。19世纪的-

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(Wien 1844-1926 Grafenegg)
Abenddämmerung, signiert O. Wisinger-Florian, Öl auf Holz,33 x 21 cm, gerahmt, (Rei)

Wir danken Mag. Alexander Giese für die Bestätigung der Echtheit anhand des Originals, der dieses Werk in das in Erscheinung befindliche Werkverzeichnis, Olga Wisinger-Florian aufnehmen wird.

87. 舞台设计设置了通往画廊的腹股沟拱形楼梯,左边是通往第二层的另一个楼梯` Design for a Stage Sets Groin~vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (1698–1765) by Giovanni Battista Natali III 高清作品[27%]

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Design for a Stage Sets Groin~vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (1698–1765) -

图片文件尺寸: 2248 x 3193px

舞台设计设置了通往画廊的腹股沟拱形楼梯,左边是通往第二层的另一个楼梯-乔瓦尼·巴蒂斯塔·纳塔利三世

~ Design for a Stage Sets Groin~vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (1698–1765) --Giovanni Battista Natali III (Italian, 1698-1765)

90. 阿德里安·扬兹(Adriaen Jansz)在桌子上摆了一个派、一个半去皮的柠檬、面包、榛子、葡萄、一个玻璃杯和一个翻倒的塔扎。克莱恩` Still Life With A Pie, A Half~Peeled Lemon, Bread, Hazelnuts, Grapes, A Glass And An Overturned Tazza On A Table by Adriaen Jansz. Kraen 高清作品[27%]

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Still Life With A Pie, A Half~Peeled Lemon, Bread, Hazelnuts, Grapes, A Glass And An Overturned Tazza On A Table-

图片文件尺寸: 4000 x 3348px

阿德里安·扬兹(Adriaen Jansz)在桌子上摆了一个派、一个半去皮的柠檬、面包、榛子、葡萄、一个玻璃杯和一个翻倒的塔扎。克莱恩-阿德里安·扬兹。克莱恩

~ Still Life With A Pie, A Half~Peeled Lemon, Bread, Hazelnuts, Grapes, A Glass And An Overturned Tazza On A Table--Adriaen Jansz. Kraen (荷兰艺术家, 1619-1679)