82. 最后,每一天都是一样的。唯一改变的是我窗户后面的灯光。每天都不一样。每天都很暖和。更明亮,2021 by Kristi Kongi 高清作品[16%]

By the end, every day was the same. The only thing that changed was the light behind my window. Each day, it was different. Each day, it was warmer. And brighter, 2021

材质 :Watercolour, gel pen on paper, wooden frame, glass 尺寸 :28 × 24 cm Painting

最后,每一天都是一样的。唯一改变的是我窗户后面的灯光。每天都不一样。每天都很暖和。更明亮,2021-克里斯蒂·孔吉()

英文名称:By the end, every day was the same. The only thing that changed was the light behind my window. Each day, it was different. Each day, it was warmer. And brighter, 2021-Kristi Kongi

84. Jazzy Jay的罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本的LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》的首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行 - [爵士杰伊] 高清作品[16%]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy Jay]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy-Jay]
(Jazzy Jay的罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本的LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》的首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行-[爵士杰伊])