84. 超现实主义是我!(萨尔瓦多·达利的肖像,带着珠宝和眼泪,霍斯特之后),2009年 by Francesco Vezzoli 高清作品[28%]

Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009

材质 :Inkjet print on canvas with custom jewelry and cotton and metallic embroidery, in artists chosen frame 尺寸 :104 × 77 × 6 cm Painting

图片文件尺寸 : 5630 x 4332px

超现实主义是我!(萨尔瓦多·达利的肖像,带着珠宝和眼泪,霍斯特之后),2009年-弗朗西斯科·维佐利(Italian, b. 1971)

英文名称:Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009-Francesco Vezzoli

85. 从现起,我们将与Facists或共产主义性爱机器结婚,并于1978年1月米兰安装 - VITO-ACCONCI 高清作品[28%]

From Now On We Marry the Facists Or: The Communist Sex Machine documentation for installation in Milan January 1978

  • Vito Acconci
  • From Now On We Marry the Facists Or: The Communist Sex Machine documentation for installation in Milan January 1978
  • signed, partially titled and dated 1978 on 1 element
  • gelatin silver prints, marker, chalk and mixed media on paper mounted on board, in 12 parts
  • From Now On We Marry the Facists Or: The Communist Sex Machine documentation for installation in Milan January 1978-VITO-ACCONCI
    (从现起,我们将与Facists或共产主义性爱机器结婚,并于1978年1月米兰安装-VITO-ACCONCI)

    87. 鸦片和肿块——或者这就是为什么地球上的第二个晚上,2021岁时仍然会生病的原因。 by objet A.D 高清作品[28%]

    Opiates and Masses--or, that\'s Why I\'ll Still Be Sick From Stone Fruit When It\'s the Second to Last Evening On Earth, 2021

    材质 :Charcoal, Chalk, Oil, Oil-stick, Oil-pastel on Paper 尺寸 :35.6 × 43.2 cm Drawing, Collage or other Work on Paper

    图片文件尺寸 : 5630 x 4332px

    鸦片和肿块——或者这就是为什么地球上的第二个晚上,2021岁时仍然会生病的原因。-目标A.D(b. 1993)

    英文名称:Opiates and Masses--or, that\'s Why I\'ll Still Be Sick From Stone Fruit When It\'s the Second to Last Evening On Earth, 2021-objet A.D

    88. 塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、哪里和为什么的理解(2021) by George Bolster 高清作品[28%]

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    材质 :Jacquard tapestry 尺寸 :396.2 × 487.7 × 0.6 cm Textile Arts

    塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、哪里和为什么的理解(2021)-乔治·波姆(Irish, b. 1972)

    英文名称:The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)-George Bolster