81. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[28%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

82. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[28%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

83. 讽刺作品。马尔切夫斯基、维茨科夫斯基和阿克森托维奇漫画,基于一幅画` Satires. A caricature of Malczewski, Wyczółkowski and Axentowicz based on a drawing by Jacek Malczewski (1906) by Jacek Malczewski by Jacek Malczewski 高清作品[27%]

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Satires. A caricature of Malczewski, Wyczółkowski and Axentowicz based on a drawing by Jacek Malczewski (1906) -

图片文件尺寸: 2399 x 4000px

讽刺作品。马尔切夫斯基、维茨科夫斯基和阿克森托维奇漫画,基于一幅画-Jacek Malczewski作者:Jacek Malczewski

~ Satires. A caricature of Malczewski, Wyczółkowski and Axentowicz based on a drawing by Jacek Malczewski (1906) --Jacek Malczewski (波兰画家, 1854–1929)

84. 关于黄昏构成和沉着,与新月或强直、阵挛和其他在死前和死后重复僵硬慢性倾向有关。,二千零二十一 by objet A.D 高清作品[27%]

On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021

材质 :Gesso, Charcoal, Oil, Oil-stick, and Oil-pastel on Hardboard 尺寸 :76.2 × 61 × 0.6 cm Painting

图片文件尺寸 : 5630 x 4332px

关于黄昏构成和沉着,与新月或强直、阵挛和其他在死前和死后重复僵硬慢性倾向有关。,二千零二十一-目标A.D(b. 1993)

英文名称:On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021-objet A.D

88. 壁画#1002:Splat,一幅由:玛拉·贝瑞、布莱恩·艾琳、德克·李、托尼·马特洛克、诺埃琳·佩波斯、卡罗琳·彼得斯、大卫·斯沃德、詹妮弗·赖夫斯奈德、艾米莉·里普利、埃德加·史密斯、卡娅·维洛波尔斯基;第一部装置:罗伊和苏珊·奥康纳,密苏里州克林顿;2001年10月 by Sol LeWitt 高清作品[26%]

Wall Drawing #1002: Splat, First drawn by: Myra Berry, Brian Elling, Dirk Lee, Toni Matlock, Noellyn Pepos, Caroline Peters, David Pledge, Jennifer Reifsneider, Emily Ripley, Edgar Smith, Kaya Wielopolski; First installation: Roy and Susan O\'Conner, Clinton, MO; October 2001

材质 :Acrylic paint 尺寸 :Paula Cooper Gallery Installation

图片文件尺寸 : 5630 x 4332px

壁画#1002:Splat,一幅由:玛拉·贝瑞、布莱恩·艾琳、德克·李、托尼·马特洛克、诺埃琳·佩波斯、卡罗琳·彼得斯、大卫·斯沃德、詹妮弗·赖夫斯奈德、艾米莉·里普利、埃德加·史密斯、卡娅·维洛波尔斯基;第一部装置:罗伊和苏珊·奥康纳,密苏里州克林顿;2001年10月-索尔·莱维特(American, 1928–2007)

英文名称:Wall Drawing #1002: Splat, First drawn by: Myra Berry, Brian Elling, Dirk Lee, Toni Matlock, Noellyn Pepos, Caroline Peters, David Pledge, Jennifer Reifsneider, Emily Ripley, Edgar Smith, Kaya Wielopolski; First installation: Roy and Susan O\'Conner, Clinton, MO; October 2001-Sol LeWitt