81. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[13%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

82. 大约1715年,安德烈·查尔斯·布勒(ANDRE-CHARLES BOULLE)在路易十四(LOUIS XIV)时期建造了一座镀金青铜镶嵌黄铜和玳瑁镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌板 - A-LOUIS-XIV-GILT-Brown-MOUNTED-BRASS-AND-Ortoisehell-CONTRE-PARTIE-Marquery-BUREAU-PLAT-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-CIRCA-1715 高清作品[13%]

A LOUIS XIV GILT-BRONZE MOUNTED BRASS AND TORTOISESHELL CONTRE-PARTIE MARQUETRY BUREAU PLAT ATTRIBUTED TO ANDRE-CHARLES BOULLE, CIRCA 1715-A-LOUIS-XIV-GILT-BRONZE-MOUNTED-BRASS-AND-TORTOISESHELL-CONTRE-PARTIE-MARQUETRY-BUREAU-PLAT-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-CIRCA-1715

A LOUIS XIV GILT-BRONZE MOUNTED BRASS AND TORTOISESHELL CONTRE-PARTIE MARQUETRY BUREAU PLAT ATTRIBUTED TO ANDRE-CHARLES BOULLE, CIRCA 1715-A-LOUIS-XIV-GILT-BRONZE-MOUNTED-BRASS-AND-TORTOISESHELL-CONTRE-PARTIE-MARQUETRY-BUREAU-PLAT-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-CIRCA-1715
(大约1715年,安德烈·查尔斯·布勒(ANDRE-CHARLES BOULLE)在路易十四(LOUIS XIV)时期建造了一座镀金青铜镶嵌黄铜和玳瑁镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌镶嵌板-A-LOUIS-XIV-GILT-Brown-MOUNTED-BRASS-AND-Ortoisehell-CONTRE-PARTIE-Marquery-BUREAU-PLAT-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-CIRCA-1715)

83. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[13%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

84. 这幅画的构图片段是王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长` Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) by Józef Simmler 高清作品[12%]

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Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) -

图片文件尺寸: 3888 x 2898px

这幅画的构图片段是王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长-Józef Simmler

` Fragment of composition with the prince figure and the ladies gathered around him, for the painting ;The Upbringing of Sigismund Augustus (1861) --Józef Simmler (波兰画家, 1823-1868)

85. 这幅画的构图片段是王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长` Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) by Józef Simmler 高清作品[12%]

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Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) -

图片文件尺寸: 3888 x 2898px

这幅画的构图片段是王子和聚集在他周围的女士们的作品西格斯蒙德·奥古斯都的成长-Józef Simmler

~ Fragment of composition with the prince figure and the ladies gathered around him, for the painting The Upbringing of Sigismund Augustus (1861) --Józef Simmler (波兰画家, 1823-1868)