82. 有时我会听无害独立音乐,但我永远不知道它如何影响我非洲身份,2012年 by Rowan Smith 高清作品[16%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

有时我会听无害独立音乐,但我永远不知道它如何影响我非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

85. 建筑工地筒仓和机器,鲁尔区埃森),选自《工业美术馆艺术家名称》(1965年) by Bernd and Hilla Becher 高清作品[16%]

Silo und Mischanlage einer Baustelle, Essen, Ruhrgebiet (Silo and Machine for a Building Site, Essen, Ruhr District), from the portfolio Industriebauten Artist names (1965)

材质 :Gelatin silver print 尺寸 :19.5 × 15.2 cm Photography

建筑工地筒仓和机器,鲁尔区埃森),选自《工业美术馆艺术家名称》(1965年)-伯恩和希拉·贝克(German, 1931 and 1934)

英文名称:Silo und Mischanlage einer Baustelle, Essen, Ruhrgebiet (Silo and Machine for a Building Site, Essen, Ruhr District), from the portfolio Industriebauten Artist names (1965)-Bernd and Hilla Becher

88. 杰克·弗瑞特·约翰尼她是一个流亡魔鬼,她改名为尝起来像蜂蜜,改名为阳光,改名为性,改名为有趣,改名为纽约——所有这些都是为了理性,远离苦难、战争和金钱。(2015) by Rina Banerjee 高清作品[16%]

Jack Fruit Johnny she was a Diasporic Devi who changed her name to taste like honey, changed her faith to sunny, changed sex to something funny, changed her city to New York City, -all for reason, to be far, far away, from misery and war and for money. (2015)

材质 :Cotton thread, paper mache vessal base, steel stand, vintage porcelain doll head, silk fabric with printing, porcupine needles, silver leaf, plastic trim 尺寸 :142 × 46 × 51 cm Sculpture

杰克·弗瑞特·约翰尼她是一个流亡魔鬼,她改名为尝起来像蜂蜜,改名为阳光,改名为性,改名为有趣,改名为纽约——所有这些都是为了理性,远离苦难、战争和金钱。(2015)-班尼杰(Indian, b. 1963)

英文名称:Jack Fruit Johnny she was a Diasporic Devi who changed her name to taste like honey, changed her faith to sunny, changed sex to something funny, changed her city to New York City, -all for reason, to be far, far away, from misery and war and for money. (2015)-Rina Banerjee