81. 演员Arashi Ryuzo饰演放债人Ishibe no Kinkichi,来自于本罗库时期戏剧Iris Soga` The Actor Arashi Ryuzo as the Moneylender Ishibe no Kinkichi, from the play The Iris Soga of the Bunroku Period (1794) by Tōshūsai Sharaku 高清作品[34%]

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The Actor Arashi Ryuzo as the Moneylender Ishibe no Kinkichi, from the play The Iris Soga of the Bunroku Period (1794) -

图片文件尺寸: 1949 x 2936px

演员Arashi Ryuzo饰演放债人Ishibe no Kinkichi,来自于本罗库时期戏剧Iris Soga-Tōshūsai Sharaku

~ The Actor Arashi Ryuzo as the Moneylender Ishibe no Kinkichi, from the play The Iris Soga of the Bunroku Period (1794) --Tōshūsai Sharaku (Japanese, active 1794–1795)

82. 这不超人问题,而整体性问题。可能“辩证人道主义”人性必须综合体(1950) by Roberto Matta 高清作品[34%]

材质 :Graphite and color crayon on paper 尺寸 :29 × 109 × 7.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

这不超人问题,而整体性问题。可能“辩证人道主义”人性必须综合体(1950)-罗贝托·马塔(Chilean, 1911–2002)

英文名称:It\'s Not A Question of Superman but of integREAL the possible \\\"dialectical humanism\\\" humanity must be the synthesis (1950) | Available for Sale-Roberto Matta

83. 新古主义建筑设计,被认为斯德哥尔摩市艺术学校` Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) by Louis Gustave Taraval 高清作品[34%]

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Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) -

图片文件尺寸: 3824 x 2186px

新古主义建筑设计,被认为斯德哥尔摩市艺术学校-路易·古斯塔夫·塔拉瓦尔

~ Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) --Louis Gustave Taraval (法国艺术家, 1738–1794)

85. 十字军再演。“圣地对我意味着什么?这家。我孩子家。它曾经我祖先家\\”(2016) by Tanya Habjouqa 高清作品[34%]

Crusader reenactment.  “What does the Holy Land mean to me? This is my home. My children’s home. It was once the home of my forefathers\\

材质 : 尺寸 : Photography

十字军再演。“圣地对我意味着什么?这家。我孩子家。它曾经我祖先家\\”(2016)-Tanya Habjouqa

英文名称:Crusader reenactment. “What does the Holy Land mean to me? This is my home. My children’s home. It was once the home of my forefathers\\\" (2016)-Tanya Habjouqa

86. 蓝精灵特里什图布:在这个完美王国之外,没有任何东西如此沉闷;除了这道乳白色深渊之外,没有什么东西如此深邃。萨尔加姆、维萨尔加姆和一首副歌。(2020年) by Surendran Nair 高清作品[34%]

Smuor Trishtubh: Aught there or noughtthere lay beyond this perfect realm so dreary; aught there or noughtthere lay besides this lacteous gulf so profound. Sargam, Visargam, and a refrain. (2020) | Available for Sale

材质 :Oil on canvas 尺寸 :134.6 × 88.9 cm Painting

蓝精灵特里什图布:在这个完美王国之外,没有任何东西如此沉闷;除了这道乳白色深渊之外,没有什么东西如此深邃。萨尔加姆、维萨尔加姆和一首副歌。(2020年)-苏伦德拉·奈尔

英文名称:Smuor Trishtubh: Aught there or noughtthere lay beyond this perfect realm so dreary; aught there or noughtthere lay besides this lacteous gulf so profound. Sargam, Visargam, and a refrain. (2020) | Available for Sale-Surendran Nair

87. 塔图因双彩虹(开普勒16b):缩短时间线抑制了我们对我们谁、在哪里和为什么理解(2021) by George Bolster 高清作品[34%]

The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)

材质 :Jacquard tapestry 尺寸 :396.2 × 487.7 × 0.6 cm Textile Arts

塔图因双彩虹(开普勒16b):缩短时间线抑制了我们对我们谁、在哪里和为什么理解(2021)-乔治·波姆(Irish, b. 1972)

英文名称:The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)-George Bolster

90. 超现实主义我!(萨尔瓦多·达利肖像,带着珠宝和眼泪,在霍斯特之后),2009年 by Francesco Vezzoli 高清作品[33%]

Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009

材质 :Inkjet print on canvas with custom jewelry and cotton and metallic embroidery, in artists chosen frame 尺寸 :104 × 77 × 6 cm Painting

图片文件尺寸 : 5630 x 4332px

超现实主义我!(萨尔瓦多·达利肖像,带着珠宝和眼泪,在霍斯特之后),2009年-弗朗西斯科·维佐利(Italian, b. 1971)

英文名称:Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009-Francesco Vezzoli