81. 亲爱的阿摩:我一直在想疯子尚。他们如何共存,为什么他们需要彼此。我开始思考僧侣为他们做的决定。让花知道“为什么他们不能再这样做”的决定。。。(2019年) by Amogelang Maepa 高清作品[17%]

材质 :Ceramic 尺寸 :31 × 96 cm Sculpture

亲爱的阿摩:我一直在想疯子尚。他们如何共存,为什么他们需要彼此。我开始思考僧侣为他们做的决定。让花知道“为什么他们不能再这样做”的决定。。。(2019年)-在梅帕(South African, b. 1995)

英文名称:Dear Amo I have been thinking a lot about the Maniac and the Monk. How they can coexist and why they need each other. I started to think about the decision the Monk made for them. The decision to let the Flower know \\\"why they couldn\'t do this anymore\\\"... (2019) | Available for Sale-Amogelang Maepa

82. 大约1720年左右,安德烈·查尔斯·布勒(ANDRE-CHARLES BOULLE)或他的工作室制作了两张路易十四(LOUIS XIV)晚期/早期摄政时期镀金青铜镶嵌的乌木、龟甲黄铜镶嵌控制台 - 两张晚期路易十四早期摄政镀金青铜镶嵌乌木龟甲黄铜镶嵌控制台桌子归因于安德烈查尔斯布勒或他的工作室约1720年 高清作品[16%]

TWO LATE LOUIS XIV/EARLY REGENCE GILT BRONZE MOUNTED EBONY, TORTOISESHELL AND BRASS MARQUETRY CONSOLE TABLES ATTRIBUTED TO ANDRE-CHARLES BOULLE OR HIS WORKSHOP, CIRCA 1720-TWO-LATE-LOUIS-XIV EARLY-REGENCE-GILT-BRONZE-MOUNTED-EBONY-TORTOISESHELL-AND-BRASS-MARQUETRY-CONSOLE-TABLES-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-OR-HIS-WORKSHOP-CIRCA-1720

TWO LATE LOUIS XIV/EARLY REGENCE GILT BRONZE MOUNTED EBONY, TORTOISESHELL AND BRASS MARQUETRY CONSOLE TABLES ATTRIBUTED TO ANDRE-CHARLES BOULLE OR HIS WORKSHOP, CIRCA 1720-TWO-LATE-LOUIS-XIV EARLY-REGENCE-GILT-BRONZE-MOUNTED-EBONY-TORTOISESHELL-AND-BRASS-MARQUETRY-CONSOLE-TABLES-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-OR-HIS-WORKSHOP-CIRCA-1720
(大约1720年左右,安德烈·查尔斯·布勒(ANDRE-CHARLES BOULLE)或他的工作室制作了两张路易十四(LOUIS XIV)晚期/早期摄政时期镀金青铜镶嵌的乌木、龟甲黄铜镶嵌控制台-两张晚期路易十四早期摄政镀金青铜镶嵌乌木龟甲黄铜镶嵌控制台桌子归因于安德烈查尔斯布勒或他的工作室约1720年)

83. 法西斯主义意味着什么/Ass of Steel——基于单字的复杂文字拼贴,黑色、灰色、粉色蓝色(2017) by Vivian Liddell 高清作品[16%]

What Fascism Means/Ass of Steel - Intricate Text Based Collage on Monotype, with Black, Grey, Pink and Blue Colors  (2017) | Available for Sale

材质 :Sewn Fabric and Ink on Monotype 尺寸 :33 × 24.1 cm Drawing, Collage or other Work on Paper

法西斯主义意味着什么/Ass of Steel——基于单字的复杂文字拼贴,黑色、灰色、粉色蓝色(2017)-维维安·利德尔(American, b. 1971)

英文名称:What Fascism Means/Ass of Steel - Intricate Text Based Collage on Monotype, with Black, Grey, Pink and Blue Colors (2017) | Available for Sale-Vivian Liddell

84. 鸦片肿块——或者这就是为什么我在地球上的第二个晚上,2021岁时仍然会生病的原因。 by objet A.D 高清作品[16%]

Opiates and Masses--or, that\'s Why I\'ll Still Be Sick From Stone Fruit When It\'s the Second to Last Evening On Earth, 2021

材质 :Charcoal, Chalk, Oil, Oil-stick, Oil-pastel on Paper 尺寸 :35.6 × 43.2 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

鸦片肿块——或者这就是为什么我在地球上的第二个晚上,2021岁时仍然会生病的原因。-目标A.D(b. 1993)

英文名称:Opiates and Masses--or, that\'s Why I\'ll Still Be Sick From Stone Fruit When It\'s the Second to Last Evening On Earth, 2021-objet A.D

86. 城市里什么都没,只死亡;卡斯特尔的巴黎公主街14号;如果没恶魔[三部作品];1964-65 - 安迪·沃霍尔(1928-1987)杰拉德·马兰加(1943年) 高清作品[16%]

Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65

  • Andy Warhol (1928 - 1987) and Gerard Malanga (b. 1943)
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65-ANDY-WARHOL-(1928---1987)-AND-GERARD-MALANGA-(B.-1943)
    (城市里什么都没,只死亡;卡斯特尔的巴黎公主街14号;如果没恶魔[三部作品];1964-65-安迪·沃霍尔(1928-1987)杰拉德·马兰加(1943年))

    88. 19世纪早期,一件梅森瓷鹧鸪形图灵盖子,安装在洛可可镀金青铜底座上 - A-MEISSEN-Ceral-PARTRIDGE-FORM-TUREEN-AND-COVER-ON-A-Lococo-GILT-Brown-BASE-19世纪初 高清作品[16%]

    A MEISSEN PORCELAIN PARTRIDGE-FORM TUREEN AND COVER, MOUNTED ON A ROCOCO GILT BRONZE BASE, EARLY 19TH CENTURY-A-MEISSEN-PORCELAIN-PARTRIDGE-FORM-TUREEN-AND-COVER-MOUNTED-ON-A-ROCOCO-GILT-BRONZE-BASE-EARLY-19TH-CENTURY

    A MEISSEN PORCELAIN PARTRIDGE-FORM TUREEN AND COVER, MOUNTED ON A ROCOCO GILT BRONZE BASE, EARLY 19TH CENTURY-A-MEISSEN-PORCELAIN-PARTRIDGE-FORM-TUREEN-AND-COVER-MOUNTED-ON-A-ROCOCO-GILT-BRONZE-BASE-EARLY-19TH-CENTURY
    (19世纪早期,一件梅森瓷鹧鸪形图灵盖子,安装在洛可可镀金青铜底座上-A-MEISSEN-Ceral-PARTRIDGE-FORM-TUREEN-AND-COVER-ON-A-Lococo-GILT-Brown-BASE-19世纪初)

    89. 塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、在哪里什么的理解(2021) by George Bolster 高清作品[16%]

    The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)

    材质 :Jacquard tapestry 尺寸 :396.2 × 487.7 × 0.6 cm Textile Arts

    塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、在哪里什么的理解(2021)-乔治·波姆(Irish, b. 1972)

    英文名称:The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)-George Bolster