83. 尼古拉斯·伯纳德·莱皮西(Nicolas Bernard Lepicie)将1900年前的绘画和版画、水彩画、微缩画归为托马斯特作品` by Nicolas Bernard Lepicie zugeschrieben/attributed 高清作品[12%]

DO-Nicolas Bernard Lepicie zugeschrieben/attributed - Meisterzeichnungen und Druckgraphik bis 1900, Aquarelle, Miniaturen
图片文件像素:4800 x 3400 px

尼古拉斯·伯纳德·莱皮西(Nicolas Bernard Lepicie)将1900年前的绘画和版画、、微缩画归为托马斯特作品-

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(1735-1784)
Studie eines stehenden jungen Mädchens mit Korb, rote Kreide auf Bütten, 19,8 x 16 cm, Passep., gerahmt, (Sch)

Provenienz:
Auktion Winterberg, Heidelberg 1973; Sammlung Heinz Grunert (1908-1997), Berlin, (Lugt 3985); Privatsammlung, Deutschland.

Möglicherweise nach einer Figur in Lepiciés Gemälde \"In der Markthalle\" (ausgestellt im Salon von 1779).

84. 河上的房屋——古城,1914年`Houses on the River - The Old Town, 1914 by Egon Schiele 高清作品[12%]

AF-Houses on the River - The Old Town, 1914

图片文件尺寸: 6700×5556 px

河上的房屋——古城,1914年-埃贡·席勒

-Houses on the River belongs to an extensive group of urban landscapes that Egon Schiele painted during the course of his career. For a long time it was wrongly identified as an urban view of Wachau, a town in lower Austria where Schiele painted on several occasions, until it was subsequently demonstrated that the scene in fact represented Krumau, a small Bohemian village on the banks of the river Moldava (now Cesky´ Krumlov, Czech Republic). After Schiele visited it with his friends Anton Peschka and Ervin Osense in summer 1910, he decided that this village, where his mother was born, was a perfect refuge from hectic Vienna. He settled there permanently in 1911 with his model Wally Neuzil, and its narrow streets, the geometry of its buildings and its medieval constructions soon became one of his favourite motifs.

85. 彼得·约瑟夫·吕岑基兴(Peter Joseph Lützenkirchen)将1900年前的绘画和版画、、归为托马斯特作品` by Peter Joseph Lützenkirchen zugeschrieben/attributed 高清作品[12%]

DO-Peter Joseph Lützenkirchen zugeschrieben/attributed - Meisterzeichnungen und Druckgraphik bis 1900, Aquarelle, Miniaturen
图片文件像素:4800 x 3400 px

彼得·约瑟夫·吕岑基兴(Peter Joseph Lützenkirchen)将1900年前的绘画和版画、、微缩画归为托马斯特作品-

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(1775年至1820年)
卡尔大公身穿元帅制服、金色羊毛的肖像,以及卡尔大公的妻子、拿骚·魏尔堡的亨丽特公主的肖像,在风景背景下穿着白色连衣裙,题为“卡尔·西格尔·冯·阿斯彭大公”或“黑塞拿骚·韦尔堡的亨丽特公主,卡尔·西格尔·冯·阿斯彭大公的妻子”的诗句,,象牙水粉,圆形,DM 9或10厘米,镶框,(2)(BH)