81. 吉他谱 - 5700×7072px 高清作品[26%]

AF16754887-Rainbow Chaser

图片文件尺寸 : 5700×7072 px

吉他谱-Rainbow Chaser

-I\'ve been told
by those
young and old
Chasing rainbows
through storms and sunlight
is a lot easier
if you\'re
traveling
light.

Chasing Rainbows prose by Carol Cavalaris

A character made of colorful wisps, holding a giant bouquet of rainbow-colored balloons while running across a rainbow sky. This is a mixed medium abstract work combining alcohol ink and digital painting. Rainbow Chaser is from the Organica, as well as Rainbow Collection of art by Carol Cavalaris.

82. 钢琴左手,1910年`Left Hand of a Pianist, 1910 by Auguste Rodin 高清作品[26%]

AF-Left Hand of a Pianist, 1910

图片文件尺寸: 6327×9000 px

钢琴左手,1910年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.

88. 19世纪油画。 by Marco Grubacs 高清作品[26%]

DO-Marco Grubacs - Ölgemälde und Aquarelle des 19. Jahrhunderts
图片文件像素:4600 x 3500 px

19世纪油画

-

(Italien 1839-1910)
Blick auf die Piazza San Marco, Blick auf Santa Maria della Salute, beide Bilder signiert M. Grubas bzw. M. Grubacs, Öl auf Holz, 27 x 14,5 cm, bzw. 14,5 x 27 cm, gerahmt, (2), (Rei)