83. 1815年左右,奥地利塔巴蒂埃。主要绘画作品,直到1900年的版画,和微型画` by Tabatière, Österreich um 1815 高清作品[30%]

DO-Tabatière, Österreich um 1815 - Meisterzeichnungen, Druckgraphik bis 1900, Aquarelle u. Miniaturen
片文件像素:4600 x 3500 px

1815年左右,奥地利塔巴蒂埃。主要绘画作品,直到1900年的版画,-

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封盖中插入了1813年莱比锡附近国家之战的一个场景:军队领导人和盟国君主俄罗斯沙皇亚历山大一世、普鲁士弗里德里希·威廉三世和跪在地上的奥地利皇帝弗兰兹一世,在背景战斗场景中,在底部插入祈祷词“上帝和玛丽与我们同在”,上为带孩子的客串麦当娜,可能是羊皮纸、木头上的水粉,DM 5.8;厘米(胡)

84. 弗雷德·休斯(Fred Hughes)在安迪·沃霍尔(Andy Warhol)的工厂与利兹·泰勒(Liz Taylor)的绘画作品(1987年) by David Gamble 高清作品[30%]

Fred Hughes in Andy Warhol\'s Factory with Liz Taylor Painting  (1987) | Available for Sale

材质 :Archival Inkjet on Paper 尺寸 :61 × 50.8 cm Photography

片文件尺寸 : 5630 x 4332px

弗雷德·休斯(Fred Hughes)在安迪·沃霍尔(Andy Warhol)的工厂与利兹·泰勒(Liz Taylor)的绘画作品(1987年)-财政部发言人甘宝(British, b. 1953)

英文名称:Fred Hughes in Andy Warhol\'s Factory with Liz Taylor Painting (1987) | Available for Sale-David Gamble

89. 尼古拉斯·伯纳德·莱皮西(Nicolas Bernard Lepicie)将1900年前的绘画和版画、水彩画、微缩画归为托马斯特作品` by Nicolas Bernard Lepicie zugeschrieben/attributed 高清作品[29%]

DO-Nicolas Bernard Lepicie zugeschrieben/attributed - Meisterzeichnungen und Druckgraphik bis 1900, Aquarelle, Miniaturen
片文件像素:4800 x 3400 px

尼古拉斯·伯纳德·莱皮西(Nicolas Bernard Lepicie)将1900年前的绘画和版画、、微缩画归为托马斯特作品-

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(1735-1784)
Studie eines stehenden jungen Mädchens mit Korb, rote Kreide auf Bütten, 19,8 x 16 cm, Passep., gerahmt, (Sch)

Provenienz:
Auktion Winterberg, Heidelberg 1973; Sammlung Heinz Grunert (1908-1997), Berlin, (Lugt 3985); Privatsammlung, Deutschland.

Möglicherweise nach einer Figur in Lepiciés Gemälde \"In der Markthalle\" (ausgestellt im Salon von 1779).

90. 河上的房屋——古城,1914年`Houses on the River - The Old Town, 1914 by Egon Schiele 高清作品[29%]

AF-Houses on the River - The Old Town, 1914

片文件尺寸: 6700×5556 px

河上的房屋——古城,1914年-埃贡·席勒

-Houses on the River belongs to an extensive group of urban landscapes that Egon Schiele painted during the course of his career. For a long time it was wrongly identified as an urban view of Wachau, a town in lower Austria where Schiele painted on several occasions, until it was subsequently demonstrated that the scene in fact represented Krumau, a small Bohemian village on the banks of the river Moldava (now Cesky´ Krumlov, Czech Republic). After Schiele visited it with his friends Anton Peschka and Ervin Osense in summer 1910, he decided that this village, where his mother was born, was a perfect refuge from hectic Vienna. He settled there permanently in 1911 with his model Wally Neuzil, and its narrow streets, the geometry of its buildings and its medieval constructions soon became one of his favourite motifs.