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Amalfi.dress，来自乔治·贝利耶的价值-乔治贝尔
` Amalfi. Robe, de Worth (1922) --George Barbier (法国艺术家, 1882 - 1932)
82.
青年，十大，第四组，第四名，色阶`Youth, The Ten Largest, Group IV, No.4, Color Cian by After Hilma af Klint 高清作品[19%]
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青年，十大，第四组，第四名，色阶-希尔玛·阿夫克林特之后
-Hilma af Klint was a Swedish artist and mystic whose paintings are considered among the first abstract works known in Western art history.
Youth, The Ten Largest, Group IV, No.4, Color Cian (Oil on Canvas), by After Hilma af Klint
83.
青年，十大，第四组，第四名，紫色`Youth, The Ten Largest, Group IV, No.4, Color Purple by After Hilma af Klint 高清作品[19%]
图片文件尺寸 : 6098×8200 px
青年，十大，第四组，第四名，紫色-希尔玛·阿夫克林特之后
-Hilma af Klint was a Swedish artist and mystic whose paintings are considered among the first abstract works known in Western art history.
Youth, The Ten Largest, Group IV, No.4, Color Purple (Oil on Canvas), by After Hilma af Klint
84.
青年，十大，第四组，第四名，彩霜` Youth, The Ten Largest, Group IV, No.4, Color Cream by After Hilma af Klint 高清作品[19%]
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青年，十大，第四组，第四名，彩霜-希尔玛·阿夫克林特之后
-Hilma af Klint was a Swedish artist and mystic whose paintings are considered among the first abstract works known in Western art history.
Youth, The Ten Largest, Group IV, No.4, Color Cream (Oil on Canvas), by After Hilma af Klint
85.
青年，十大，第四组，第四名，红色` Youth, The Ten Largest, Group IV, No.4, Color Red by After Hilma af Klint 高清作品[19%]
图片文件尺寸 : 6098×8200 px
青年，十大，第四组，第四名，红色-希尔玛·阿夫克林特之后
-Hilma af Klint was a Swedish artist and mystic whose paintings are considered among the first abstract works known in Western art history.
Youth, The Ten Largest, Group IV, No.4, Color Red (Oil on Canvas), by After Hilma af Klint
86.
州权利（布朗等人诉堪萨斯州托皮卡教育委员会）（有限价值行使））（2017年） by Tomashi Jackson 高清作品[18%]
材质 :Mixed media on gauze 尺寸 :About the work Mixed Media
州权利（布朗等人诉堪萨斯州托皮卡教育委员会）（有限价值行使））（2017年）-托马斯·杰克逊
英文名称:States\' Rights (brown et al. vs The board of Education of Topeka, Kansas)(Limited Value Exercise)) (2017)-Tomashi Jackson
87.
《无题》（不要低估什么都不做的价值，只是继续前行，听所有你听不到的东西，不打扰）（2021） by Lulu Kaalund 高清作品[18%]
材质 :Crocheted cotton and wool yarns stretched on cotton canvas and wood frame, 4.5 needle 尺寸 :85 × 85 × 5 cm Textile Arts
《无题》（不要低估什么都不做的价值，只是继续前行，听所有你听不到的东西，不打扰）（2021）-露露称重
英文名称:Untitled (Don’t underestimate the value of doing nothing, of just going along, listening to all the things you can’t hear, and not bothering) (2021)-Lulu Kaalund
88.
斯科特的Cumbrian Blue（s）Foot and Mouth排名第五，排在麦克劳德、达威尔和梅之后。03/08/01/13 (2013) by Paul Scott 高清作品[18%]
材质 :Screen print (in-glaze decal) on Royal Worcester bone china platter. 尺寸 :32.5 × 43 × 3 cm Design\\\\u002FDecorative Art
斯科特的Cumbrian Blue（s）Foot and Mouth排名第五，排在麦克劳德、达威尔和梅之后。03/08/01/13 (2013)-保罗·斯科特(British, b. 1953)
英文名称:Scott\'s Cumbrian Blue(s) Foot and Mouth no.5, after Macleod, Darwell and May. 03/08/01/13 (2013)-Paul Scott
89.
无标题#4（10颗最具成本效益的小行星的价值和估计利润）（2019年） by Pedro Victor Brandão 高清作品[18%]
材质 :Acrylics, varnish, and ink marker on canvas 尺寸 :40 × 40 cm Painting
无标题#4（10颗最具成本效益的小行星的价值和估计利润）（2019年）-佩德罗·维克托·布兰多(Brazilian, b. 1985)
英文名称:Untitled #4 (Value and Estimated Profit of 10 Most Cost-Effective Asteroids for Mining) (2019)-Pedro Victor Brandão
90.
主权（排名第一）和政权谈判，（拿破仑三世），来自《名利场》`
Sovereigns, (No. 1) Le Regime Parlementaire, (Napoleon III), from Vanity Fair (1869) by James Tissot 高清作品[18%]
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主权（排名第一）和政权谈判，（拿破仑三世），来自《名利场》-詹姆斯·迪索
~ Sovereigns, (No. 1) Le Regime Parlementaire, (Napoleon III), from Vanity Fair (1869) --James Tissot (法国艺术家, 1836-1902)
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