84. 一套罕见的四只乔治四世镀银文复兴风格烧杯,伦敦约翰桥,1828年 - A-稀有-四件套-乔治四世-镀银-文复兴-风格-烧杯-约翰-布里奇-伦敦-1828 高清作品[10%]

A RARE SET OF FOUR GEORGE IV SILVER-GILT RENAISSANCE-STYLE BEAKERS, JOHN BRIDGE, LONDON, 1828-A-RARE-SET-OF-FOUR-GEORGE-IV-SILVER-GILT-RENAISSANCE-STYLE-BEAKERS-JOHN-BRIDGE-LONDON-1828

A RARE SET OF FOUR GEORGE IV SILVER-GILT RENAISSANCE-STYLE BEAKERS, JOHN BRIDGE, LONDON, 1828-A-RARE-SET-OF-FOUR-GEORGE-IV-SILVER-GILT-RENAISSANCE-STYLE-BEAKERS-JOHN-BRIDGE-LONDON-1828
(一套罕见的四只乔治四世镀银文复兴风格烧杯,伦敦约翰桥,1828年-A-稀有-四件套-乔治四世-镀银-文复兴-风格-烧杯-约翰-布里奇-伦敦-1828)

88. 《紧握的手》,1885年`The Clenched Hand, 1885 by Auguste Rodin 高清作品[10%]

AF-The Clenched Hand, 1885

图片文件尺寸: 4492×6000 px

《紧握的手》,1885年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Auguste Rodin often produced fragmentary studies of individual anatomical features, and stated, “I have always had an intense passion for the expression of the human hand.” In this work, the boldly modeled swellings and depressions of the hand suggest a sense of agitated anguish. This sculpture is probably related to Rodin’s grand project, The Burghers of Calais, in which a group of elderly men face the prospect of impending death.