826. 当我还是个孩子的时候，我爱我的动物同伴，渴望看到、触摸和闻到每一个新的动物，即使是在马戏团，我知道那是一个悲伤的地方。当我骑着大象去那里时，我哭了，同时也为我感到的兴奋而感到内疚（2021年） by Andrea Joyce Heimer 高清作品[11%]

I Loved My Animal Companions As A Child And Was Eager To See, Touch, And Smell Each New One, Even At The Circus, Which I Knew Was A Sad Place, And I Cried When I Rode The Elephant There, All The While Feeling Guilty For The Exhilaration I Felt Too (2021)

材质 :Acrylic and oil stick on panel 尺寸 :101.6 × 152.4 cm Painting

当我还是个孩子的时候，我爱我的动物同伴，渴望看到、触摸和闻到每一个新的动物，即使是在马戏团，我知道那是一个悲伤的地方。当我骑着大象去那里时，我哭了，同时也为我感到的兴奋而感到内疚（2021年）-安德里亚·乔伊斯·海默(American, b. 1981)

英文名称:I Loved My Animal Companions As A Child And Was Eager To See, Touch, And Smell Each New One, Even At The Circus, Which I Knew Was A Sad Place, And I Cried When I Rode The Elephant There, All The While Feeling Guilty For The Exhilaration I Felt Too (2021)-Andrea Joyce Heimer

829. 一群动物，鹿，野牛和马`A Group of Animals, Deer, Bison and Horse by Chauvet Cave 高清作品[11%]

AF-A Group of Animals, Deer, Bison and Horse

图片文件尺寸: 6050×6500 px

一群动物，鹿，野牛和马-乔维特洞穴

-The Chauvet-Pont-d\'Arc Cave in the Ardèche department of southeastern France is a cave that contains some of the best-preserved figurative cave paintings in the world, as well as other evidence of Upper Paleolithic life. It is located near the commune of Vallon-Pont-d\'Arc on a limestone cliff above the former bed of the Ardèche River, in the Gorges de l\'Ardèche.
Discovered on December 18, 1994, it is considered one of the most significant prehistoric art sites and the UN’s cultural agency UNESCO granted it World Heritage status on June 22, 2014.

830. 参观动物园、白鹭和琵鹭`Visit the Zoo, Egret and Spoonbill by Federal Art Project 高清作品[11%]

AF-Visit the Zoo, Egret and Spoonbill

图片文件尺寸: 6477×7000 px

参观动物园、白鹭和琵鹭-联邦艺术项目

-Poster promoting the Zoo as a place to visit, showing Egret and Spoonbill.

Visit the Zoo, Egret and Spoonbill (Poster), by Federal Art Project, WPA

The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.

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