72. 不是他们死后的遗骸,也不是他们死后的遗骸(2016年) by Cristina Piffer 高清作品[29%]

Neither the remains of their dead | Ni los despojos de sus muertos (2016) | Available for Sale

材质 :Vaccine grease and paraffin, stainless steel table | Grasa vacuna y parafina, mesa de acero inox 尺寸 :75 × 105 × 40 cm Other

不是他们死后的遗骸,也不是他们死后的遗骸(2016年)-克里斯蒂娜·皮弗(Argentine, b. 1953)

英文名称:Neither the remains of their dead | Ni los despojos de sus muertos (2016) | Available for Sale-Cristina Piffer

78. Jazzy Jay的罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本的LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》的首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行 - [爵士杰伊] 高清作品[29%]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy Jay]

Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy-Jay]
(Jazzy Jay的罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本的LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》的首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行-[爵士杰伊])