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71. 晨练、奶油小麦广告插画` Morning Exercises, Cream of Wheat ad illustration (1910) by August William Hutaf 高清作品[24%]

图片文件尺寸: 2000 x 2928px

晨练、奶油小麦广告插画-奥古斯特·威廉·胡塔夫

~ Morning Exercises, Cream of Wheat ad illustration (1910) --August William Hutaf (美国艺术家, 1874-1942)

72. 《世纪插画月刊》。二十五周年纪念号码` The Century illustrated monthly magazine. Twenty fifth anniversary number (1895) 高清作品[24%]

图片文件尺寸: 5880 x 8200px

《世纪插画月刊》。二十五周年纪念号码

~ The Century illustrated monthly magazine. Twenty fifth anniversary number (1895) -

73. SicTige奶油小麦广告插画` Sicum, Tige, Cream of Wheat ad illustration (1913) by Edward Vincent Brewer 高清作品[24%]

图片文件尺寸: 1835 x 2920px

SicTige奶油小麦广告插画-爱德华·文森特·布鲁尔

~ Sicum, Tige, Cream of Wheat ad illustration (1913) --Edward Vincent Brewer (美国艺术家, 1883-1971)

74. 脚壳\'Traunsee\'，弗朗兹·冯·祖洛（1883-1965年，维也纳）的设计，1924/31年左右，格蒙德纳·沃克斯特（Gmunder Werkstätte）的作品` by Fußschale "Traunsee", Entwurf Franz von Zülow (Wien 1883-1963), Ausführung Gmundner Werkstätte um 1924/31 高清作品[24%]

图片文件像素：4800 x 3400 px

脚壳\'Traunsee\'，弗朗兹·冯·祖洛（1883-1965年，维也纳）的设计，1924/31年左右，格蒙德纳·沃克斯特（Gmunder Werkstätte）的作品-

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陶瓷、赭色碎片、多色彩绘的格蒙登和特劳西湖上的奥思城堡景观，高度约7厘米，Dm。约25.6厘米，盖有Gmunder Werkstätte（1924-1931）邮票，编号71（SLS）

75. 童话插画` Fairy Tale Illustration (1920–1930) by Arnold Peter Weisz-Kubínčan 高清作品[24%]

图片文件尺寸: 5000 x 3606px

童话插画-Arnold Peter Weisz Kubínčan先生

~ Fairy Tale Illustration (1920–1930) --Arnold Peter Weisz-Kubínčan (斯洛伐克, 1898 - 1944)

76. 幽灵奥基库凶狠地俯视着青山武士和两名护卫员，中央面板`The ghost Okiku looks balefully down on the Samurai Aoyama and two retainers, central panel by Toyohara Kunichika 高清作品[23%]

图片文件尺寸: 4032×6000 px

幽灵奥基库凶狠地俯视着青山武士和两名护卫员，中央面板-丰原久一家

-This image relates to the play \'The mansion of plates at Banchō\' as it was performed in Tokyo in 1892. Printed on three sheets of paper, it depicts a ghost appearing before the samurai Aoyama Tessan and his attendants. There are many versions of the story in which, having had his advances rejected by the housemaid Okiku, Aoyama hides an imported 荷兰艺术家 plate and blames her for its loss. Shamed by the accusation, Okiku drowns herself and her distraught ghost returns each night to haunt Aoyama. He is eventually driven mad by her visits. Kunichika has dramatically captured the horror expressed by the men and the serpentine movement of the ghost.