71. 从里到下。。。结构主义基石什么?来自通用动力联合国投资组合,1970年 by Eduardo Paolozzi 高清作品[37%]

Inside Down Under... What are the Building Blocks of Structuralism? II from General Dynamic F.U.N. Portfolio, 1970

材质 :Photolithograph 尺寸 :38.1 × 25.4 cm Print

图片文件尺寸 : 5630 x 4332px

从里到下。。。结构主义基石什么?来自通用动力联合国投资组合,1970年-爱德华多·包洛奇(British, 1924–2005)

英文名称:Inside Down Under... What are the Building Blocks of Structuralism? II from General Dynamic F.U.N. Portfolio, 1970-Eduardo Paolozzi

72. 《紫色焦虑/威胁倍增花园》没有什么隐藏在它热量/指尖带宽需求/量子霸权模仿蜜蜂(2020年) by Kirill Savchenkov 高清作品[36%]

full down garden of purple anxiety / threat multiplier nothing is hidden from its heat / bandwidth needs of fingertips / quantum supremacy mimics bees (2020)

材质 :Mixed media sculpture 尺寸 :63 × 57 × 25 cm Sculpture

《紫色焦虑/威胁倍增花园》没有什么隐藏在它热量/指尖带宽需求/量子霸权模仿蜜蜂(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:full down garden of purple anxiety / threat multiplier nothing is hidden from its heat / bandwidth needs of fingertips / quantum supremacy mimics bees (2020)-Kirill Savchenkov

76. 城市里什么都没有,只有死亡;卡斯特尔巴黎公主街14号;如果没有恶魔[三部作品];1964-65 - 安迪·沃霍尔(1928-1987)和杰拉德·马兰加(1943年) 高清作品[36%]

Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65

  • Andy Warhol (1928 - 1987) and Gerard Malanga (b. 1943)
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65-ANDY-WARHOL-(1928---1987)-AND-GERARD-MALANGA-(B.-1943)
    (城市里什么都没有,只有死亡;卡斯特尔巴黎公主街14号;如果没有恶魔[三部作品];1964-65-安迪·沃霍尔(1928-1987)和杰拉德·马兰加(1943年))

    78. 十字军再演。“圣地对我意味着什么?这家。我孩子家。它曾经我祖先家\\”(2016) by Tanya Habjouqa 高清作品[35%]

    Crusader reenactment.  “What does the Holy Land mean to me? This is my home. My children’s home. It was once the home of my forefathers\\

    材质 : 尺寸 : Photography

    十字军再演。“圣地对我意味着什么?这家。我孩子家。它曾经我祖先家\\”(2016)-Tanya Habjouqa

    英文名称:Crusader reenactment. “What does the Holy Land mean to me? This is my home. My children’s home. It was once the home of my forefathers\\\" (2016)-Tanya Habjouqa

    79. 蓝精灵特里什图布:在这个完美王国之外,没有任何东西如此沉闷;除了这道乳白色深渊之外,没有什么东西如此深邃。萨尔加姆、维萨尔加姆和一首副歌。(2020年) by Surendran Nair 高清作品[35%]

    Smuor Trishtubh: Aught there or noughtthere lay beyond this perfect realm so dreary; aught there or noughtthere lay besides this lacteous gulf so profound. Sargam, Visargam, and a refrain. (2020) | Available for Sale

    材质 :Oil on canvas 尺寸 :134.6 × 88.9 cm Painting

    蓝精灵特里什图布:在这个完美王国之外,没有任何东西如此沉闷;除了这道乳白色深渊之外,没有什么东西如此深邃。萨尔加姆、维萨尔加姆和一首副歌。(2020年)-苏伦德拉·奈尔

    英文名称:Smuor Trishtubh: Aught there or noughtthere lay beyond this perfect realm so dreary; aught there or noughtthere lay besides this lacteous gulf so profound. Sargam, Visargam, and a refrain. (2020) | Available for Sale-Surendran Nair

    80. 塔图因双彩虹(开普勒16b):缩短时间线抑制了我们对我们谁、在哪里和为什么理解(2021) by George Bolster 高清作品[35%]

    The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)

    材质 :Jacquard tapestry 尺寸 :396.2 × 487.7 × 0.6 cm Textile Arts

    塔图因双彩虹(开普勒16b):缩短时间线抑制了我们对我们谁、在哪里和为什么理解(2021)-乔治·波姆(Irish, b. 1972)

    英文名称:The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)-George Bolster