A VIEW OF MORSPOORT, LEIDEN; A VIEW OF MAREPOORT, LEIDEN-PAULUS-CONSTANTIJN-LA-FARGUE-
(莱顿莫尔斯波特风景;莱顿马雷波特景观-保卢斯·康斯坦提金·拉法格-)
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星夜`The Starry Night by Vincent van Gogh 高清作品[18%]
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1893年的星夜`Starry Night, 1893 by Edvard Munch 高清作品[18%]
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1924年的星夜`Starry Night, 1924 by Edvard Munch 高清作品[18%]
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罗恩河上的星夜(1888) by Vincent van Gogh 高清作品[18%]
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欣赏她的容貌`Admiring her looks by Auguste Toulmouche 高清作品[18%]
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总是欣赏大号城市墨水`
Queen City Inks Are Always Appreciated (1891) 高清作品[18%]
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纪尧姆·塞格纳克关于“欣赏美”的演讲(2021年) by Alexis Mata 高清作品[18%]
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星夜`The Starry Night by Vincent Willem van Gogh 高清作品[18%]
图片文件尺寸: 7500×6110 px
星夜-文森特·威廉·梵高
-Vincent Willem van Gogh was a 荷兰艺术家 post-impressionist painter who is among the most famous and influential figures in the history of Western art.
In creating this image of the night sky—dominated by the bright moon at right and Venus at center left—van Gogh heralded modern painting’s new embrace of mood, expression, symbol, and sentiment. Inspired by the view from his window at the Saint-Paul-de-Mausole asylum in Saint-Rémy, in southern France, where the artist spent twelve months in 1889–90 seeking reprieve from his mental illnesses, The Starry Night (made in mid-June) is both an exercise in observation and a clear departure from it. The vision took place at night, yet the painting, among hundreds of artworks van Gogh made that year, was created in several sessions during the day, under entirely different atmospheric conditions. The picturesque village nestled below the hills was based on other views—it could not be seen from his window—and the cypress at left appears much closer than it was. And although certain features of the sky have been reconstructed as observed, the artist altered celestial shapes and added a sense of glow.
Van Gogh assigned an emotional language to night and nature that took them far from their actual appearances. Dominated by vivid blues and yellows applied with gestural verve and immediacy, The Starry Night also demonstrates how inseparable van Gogh’s vision was from the new procedures of painting he had devised, in which color and paint describe a world outside the artwork even as they telegraph their own status as, merely, color and paint.