71. 小野野野孝子洗文案,出自《时尚七子孝子》(Furyu nana Komachi)` Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi) (1788) by Chōbunsai Eishi 高清作品[18%]

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Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi) (1788) -

图片文件尺寸: 2014 x 3000px

小野野野孝子洗文案,出自《时尚七子孝子》(Furyu nana Komachi)-ōbunsai Eishi

~ Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi) (1788) --Chōbunsai Eishi (Japanese, 1756-1829)

73. 进来!一切都来吧!来参加第二届美国残疾人协会和文案撰稿人圣诞派对格罗斯·加斯吧` Comen ein! Comen alles! Comen to der Grosse Gasse, der 2nd annual ADA und Copywriters Christmas party (1962) by Robert Pease 高清作品[18%]

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Comen ein! Comen alles! Comen to der Grosse Gasse, der 2nd annual ADA und Copywriters Christmas party (1962) -

图片文件尺寸: 6600 x 9880px

进来!一切都来吧!来参加第二届美国残疾人协会和文案撰稿人圣诞派对格罗斯·加斯吧-罗伯特·佩兹

~ Comen ein! Comen alles! Comen to der Grosse Gasse, der 2nd annual ADA und Copywriters Christmas party (1962) --Robert Pease (美国艺术家, 1937-)

74. \\“1930年英国装饰风格\\”(文章弗朗西斯·培根——年轻室内设计师),1930年,《创意艺术杂志》(1930年) by Francis Bacon 高清作品[17%]

材质 :Print 尺寸 :29.2 × 21 cm Ephemera or Merchandise

\\“1930年英国装饰风格\\”(文章弗朗西斯·培根——年轻室内设计师),1930年,《创意艺术杂志》(1930年)-弗朗西斯·培根

英文名称:\\\"The 1930 Look in British Decoration\\\" (article Francis Bacon- As Young Interior Designer), 1930, Creative Art Magazine (1930) | Available for Sale-Francis Bacon

77. 2021,铁幕、室内设计和遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学 by objet A.D 高清作品[16%]

Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021

材质 :Charcoal and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

2021,铁幕、室内设计和遭遇的极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置的平均平方英尺变成灯泡的人类技术水平考古学-目标A.D()

英文名称:Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021-objet A.D

79. B面:倒转记录*左:仍然来自伍斯特集团的B面:来自德克萨斯州监狱的黑人民间传说;2018年2月9日(2019年)摄于纽约州布法罗市布法罗大学创意艺术倡议, by Shannon Ebner 高清作品[15%]

B SIDE: INVERTED RECORD *Left: Still from The Wooster Group\'s B SIDE: NEGRO FOLKLORE FROM TEXAS STATE PRISONS; photographed at the Creative Arts Initiative, University at Buffalo, Buffalo, New York on February 9th, 2018, (2019) | Available for Sale

材质 :Archival pigment print mounted to aluminum 尺寸 :45.7 × 39.1 × 0.8 cm Photography

B面:倒转记录*左:仍然来自伍斯特集团的B面:来自德克萨斯州监狱的黑人民间传说;2018年2月9日(2019年)摄于纽约州布法罗市布法罗大学创意艺术倡议,-香农·埃伯纳

英文名称:B SIDE: INVERTED RECORD *Left: Still from The Wooster Group\'s B SIDE: NEGRO FOLKLORE FROM TEXAS STATE PRISONS; photographed at the Creative Arts Initiative, University at Buffalo, Buffalo, New York on February 9th, 2018, (2019) | Available for Sale-Shannon Ebner

80. “Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望在世界上看到的那种温柔、有创意、相互关联的男性气质。(2019年) by Jamil Hellu 高清作品[14%]

“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

“Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望在世界上看到的那种温柔、有创意、相互关联的男性气质。(2019年)-Jamil灯

英文名称:“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale-Jamil Hellu