71. 展览及售卖捐赠作品` Exhibition and sale of works donated by artists to the foundation for the contemporary performance arts. (between 1960 and 1970) by artists to the foundation for the contemporary performance arts. by Marc Ratcliff 高清作品[39%]

`
Exhibition and sale of works donated by artists to the foundation for the contemporary performance arts. (between 1960 and 1970) -

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展览及售卖捐赠作品-艺术家为当代表演艺术奠基。马克·拉特克利夫著

` Exhibition and sale of works donated by artists to the foundation for the contemporary performance arts. (between 1960 and 1970) --Marc Ratcliff (美国艺术家, 20th Century)

72. 一套四张的展览海报,分别是小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年 - 各种各样的艺术家 高清作品[37%]

A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967

  • Various Artists
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967
  • posters printed in colours
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967-VARIOUS-ARTISTS
    (一套四张的展览海报,分别是小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年-各种各样的艺术家)

    73. Osnovnoye为作品展览入口处的展台设计` Osnovnoye Design for a stand at the entrance to an exhibition of works by the students of the Basic Course of VKhUTEMAS (1920) by the students of the Basic Course of VKhUTEMAS by Gustavs Klucis 高清作品[36%]

    ~
Osnovnoye Design for a stand at the entrance to an exhibition of works by the students of the Basic Course of VKhUTEMAS (1920) -

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    Osnovnoye为作品展览入口处的展台设计-Gustavs Klucis教授的VKhUTEMAS基础课程的学生

    ~ Osnovnoye Design for a stand at the entrance to an exhibition of works by the students of the Basic Course of VKhUTEMAS (1920) --Gustavs Klucis

    74. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[36%]

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Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

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    伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

    ~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

    75. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[36%]

    ~
Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

    图片文件尺寸: 2374 x 3567px

    伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

    ~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

    76. Jorgen Gammelgaard钢制折叠凳,带黄色尼龙座椅,1970年长:57厘米,高:40厘米,宽:46厘米生产商:意大利博洛尼亚的Strutture d’Interni,获得丹麦设计论坛A/S的许可证,由Det danske Kunstindustrimuseum于1970年购买。第63/1970号道格拉斯·M·帕克工作室迈克尔·阿舍,“1976年7月18日至10月16日,意大利威尼斯威尼斯双年展未来学家奥吉·阿尔特(Ambiente arte),本杰明·H·D·布赫勒(编辑),迈克尔·阿舍,1973-1983年关于1969-1979年作品的著作(洛杉矶和哈利法克斯:新斯科舍艺术与设计学院当代艺术物馆和出版社,1983年):138-145。加利福尼亚州洛杉矶1998年10月12日(第8号) - 克里斯托弗·威廉姆斯 高清作品[31%]

    Jorgen Gammelgaard Folding stool of steel with yellow nylon seat, 1970 L: 57 cm, H: 40 cm, W: 46 cm Producer: Strutture d\'Interni of Bologna, Italy, under license from Design Forum A/S, Denmark Purchased by Det danske Kunstindustrimuseum 1970 Mus. no. 63/1970 Douglas M. Parker Studio Michael Asher, \"July 18 - October 16, 1976, Ambiente arte, dal futurismo ad oggi, Venice Biennale, Venice, Italy,\" in Benjamin H.D. Buchloh (ed.), Michael Asher, Writings 1973-1983 on Works 1969-1979 (Los Angeles and Halifax: The Museum of Contemporary Art and Press of the Nova Scotia College of Art and Design, 1983): 138-145. Los Angeles, California October 12, 1998 (No. 8), 1998-CHRISTOPHER-WILLIAMS
    (Jorgen Gammelgaard钢制折叠凳,带黄色尼龙座椅,1970年长:57厘米,高:40厘米,宽:46厘米生产商:意大利博洛尼亚的Strutture d’Interni,获得丹麦设计论坛A/S的许可证,由Det danske Kunstindustrimuseum于1970年购买。第63/1970号道格拉斯·M·帕克工作室迈克尔·阿舍,“1976年7月18日至10月16日,意大利威尼斯威尼斯双年展未来学家奥吉·阿尔特(Ambiente arte),本杰明·H·D·布赫勒(编辑),迈克尔·阿舍,1973-1983年关于1969-1979年作品的著作(洛杉矶和哈利法克斯:新斯科舍艺术与设计学院当代艺术物馆和出版社,1983年):138-145。加利福尼亚州洛杉矶1998年10月12日(第8号)-克里斯托弗·威廉姆斯)