72. 1900年上的新可可控制台` by Neorokoko-Konsoltisch, um 1900 高清作品[27%]

DO-Neorokoko-Konsoltisch, um 1900 - Weihnachtsauktion
图片文件像素:4600 x 3500 px

1900年圣诞节拍卖会上的新可可控制台-

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木质框架,雕刻,主要采用灰泥装饰,有卷曲的腿,黑褐色,银色和金色背景,装饰丰富,花卉装饰,桥连接处有花环和缎带,补充红木板,高度约89厘米,宽度约80厘米,深度约41厘米,使用痕迹,框架缺陷(38)Ruf 500

76. 可可壁式控制台桌,德国,约1760年阿图姆` by Rokoko Wandkonsoltisch, Deutsch, um 1760 高清作品[27%]

DO-Rokoko Wandkonsoltisch, Deutsch, um 1760 - Herbstauktion
图片文件像素:4800 x 3400 px

可可壁式控制台桌,德国,约1760年阿图姆拍卖会-

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两条腿的橡木框架,卷曲,雕刻有种子和贝壳装饰以及花朵,末端为挡泥板脚,设置红棕色和金色,后来相应的板,镶有镶木地板状樱桃贴面,高度约92厘米,宽度约94厘米,深度约48厘米,年代痕迹(SLS)

80. 自画像一种幻想`Self-Portrait as a Chimera by Sarah Bernhardt 高清作品[27%]

AF-Self-Portrait as a Chimera

图片文件尺寸 : 8000×6400 px

自画像一种幻想-莎拉·伯恩哈特

-French actor and artist Sarah Bernhardt was perhaps the first global superstar, with legions of admirers spread across Britain, continental Europe, North and South America, and as far afield as Australia. In this fantastical bronze inkwell, she portrayed herself as a chimera, a mythological creature composed of disparate body parts. Here, Bernhardt joined her human torso and head to clawed haunches, bat wings, and a dragon-like tail. The work is a key example of her inspired use of visual media to fashion and promote her own image.