LUV’S DECK WAS STOLEN LUV 的滑板被偷走了-LY
（LUV’S DECK WAS STOLEN LUV 的滑板被偷走了-LY公司）
72.
我们梦想着跟随我们内心的光芒，但我们被外面的世界淡忘了（2021年） by Suyon Huh 高清作品[25%]
材质 :Paperpaste and other drawing materials on hanji 尺寸 :90 × 90 cm Painting
图片文件尺寸 : 5630 x 4332px
我们梦想着跟随我们内心的光芒，但我们被外面的世界淡忘了（2021年）-苏扬(South Korean, b. 1993)
英文名称:We dream to follow our light inside but we faded away by the outside world (2021)-Suyon Huh
73.
人的眼睛和一条鱼，后者被石化了（1920年） by Johannes Theodor Baargeld 高清作品[25%]
材质 :Cut-and-pasted paper, ink, and pencil on paper 尺寸 :31.1 × 23.8 cm Mixed Media
人的眼睛和一条鱼，后者被石化了（1920年）-约翰内斯·西奥多·巴戈尔德
英文名称:The Human Eye and a Fish, The Latter Petrified (Das menschliche Auge und ein Fisch, letzterer versteinert) (1920)-Johannes Theodor Baargeld
74.
除大纲外的所有内容都被涂白了（Sophie Dahl）（2006） by Angus Fairhurst 高清作品[25%]
材质 :Screenprint on heavy wove paper 尺寸 :30 × 40 cm Print
除大纲外的所有内容都被涂白了（Sophie Dahl）（2006）-安格斯·费尔赫斯特
英文名称:Everything but the Outline Whited-Out (Sophie Dahl) (2006) | Available for Sale-Angus Fairhurst
75.
清教徒的婚礼被打断了`
The Puritan Wedding Interrupted by George Henry Boughton 高清作品[25%]
图片文件尺寸: 2901 x 2308px
清教徒的婚礼被打断了-乔治·亨利·鲍顿
~ The Puritan Wedding Interrupted--George Henry Boughton (美国艺术家, 1833-1905)
76.
被迷住了，却又被迷住了 - 梅丽塔·德纳罗 高清作品[25%]
Surging with enchantment, yet made quiet by it-Melita-Denaro
（被迷住了，却又被迷住了-梅丽塔·德纳罗）
77.
在de Sequeira的《圣奥诺弗雷之歌》之后，在忘记了我在寻找什么之后，2018年 by Dale Lawrence 高清作品[25%]
材质 :Oil on linen 尺寸 :55 × 45 cm Painting
图片文件尺寸 : 5630 x 4332px
在de Sequeira的《圣奥诺弗雷之歌》之后，在忘记了我在寻找什么之后，2018年-戴尔·劳伦斯(South African, b. 1988)
英文名称:After de Sequeira\'s \"Comunhão de Santo Onofre,\" after forgetting what I was looking for I, 2018-Dale Lawrence
78.
1798年被强行施了魔法的人`The Forcibly Bewitched, 1798 by Francisco de Goya 高清作品[25%]
图片文件尺寸: 4369×6200 px
1798年被强行施了魔法的人-弗朗西斯科·德戈亚
-Goya shows us a scene based on a satirical play first performed in 1698: The Forcibly Bewitched. The priest, Don Camillo, is being frightened into marriage with Doña Leonora. He’s been made to believe that a slave, Lucia, has bewitched him, and that his life will last only as long as the lamp in her room remains alight.
We see Camillo eagerly replenishing the oil in the lamp, which is in the form of an almost life-size ram. The inscription in the bottom right contains the first part of two words, lampara descomunal (‘monstrous lamp’) – the words that the fearful and superstitious Camillo cries out loud.
A grotesque painting of dancing donkeys decorates the wall behind, adding to the general air of mystery and sorcery. But the play is a comedy, and the hero’s exaggerated pose and staring eyes are intended to make us laugh at his gullibility.
79.
“穆尔集中注意力的要点是再也不能被抓住了……”，1926年 by William Henry Dethlef Koerner 高清作品[25%]
材质 :Oil on Canvas 尺寸 :71.1 × 101.6 cm Painting
图片文件尺寸 : 5630 x 4332px
“穆尔集中注意力的要点是再也不能被抓住了……”，1926年-威廉·亨利·德特列夫·科纳(American, 1878–1938)
英文名称:\"The Main Point of Mull\'s Concentration Was Never Again to be Caught Off..., 1926-William Henry Dethlef Koerner
80.
1852年，英国人逼近时，舒勒夫人烧毁了麦田`Mrs. Schuyler Burning Her Wheat Fields on the Approach of the British, 1852 by Emanuel Leutze 高清作品[25%]
图片文件尺寸: 6304×5000 px
1852年，英国人逼近时，舒勒夫人烧毁了麦田-埃玛纽埃尔·洛伊茨
-Mrs. Schuyler Burning Her Wheat Fields on the Approach of the British, 1852 (Oil on Canvas), by Emanuel Leutze
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