Portrait of the poet André Chénier (1762-1794), three-quarter length, seated at a table covered in a green cloth with papers and an inkwell, his hand tucked into his jacket-Emile-Jean-Horace-Vernet
(诗人安德烈·切尼尔(1762-1794)的肖像,四分之三长,坐在一张桌子旁,桌上盖着一块绿布,上面有纸和墨水瓶,他的手插在夹克里-埃米尔·让·霍勒斯·韦尔内)
72.
“有一个季节,我像橡子一样出生/倒下/我是唯一的一棵树/每个人都离开了/我必须离开你/蓓蕾在我身边长大/我看到一张怨恨的脸/一道刺眼的光似乎在诅咒你/是因为我是你吗?”-罗氏(2021) by Marisa Takal 高清作品[19%]
材质 :Oil on canvas 尺寸 :177.8 × 152.4 cm Painting
“有一个季节,我像橡子一样出生/倒下/我是唯一的一棵树/每个人都离开了/我必须离开你/蓓蕾在我身边长大/我看到一张怨恨的脸/一道刺眼的光似乎在诅咒你/是因为我是你吗?”-罗氏(2021)-玛丽莎·塔卡尔(American, b. 1991)
英文名称:“One season I was born/ Fell down like an acorn/ I am the only tree/ And everybody leaves/ I’ve got to get away from you/ Bud growing up at me/ Resentful face I see/ A harsh light seems to damn you/ Is it because I am you?”-The Roches (2021) | Available for Sale-Marisa Takal
73.
Truong Van Thanh |一张漆咖啡桌,上面有一块漆面板,上面装饰着鱼漆畫桌子, 桌上漆畫畫板彩繪金魚 - 张文庆 高清作品[18%]
74.
室内有花瓶画家`
Interior With Vase Painter by Severin Falkman 高清作品[18%]
75.
谋杀,有旁观者(b.1436;ba.1466) - 毕加索 高清作品[18%]
76.
16.第一次接触友好的曼丹。一种异国情调的毒药。17.酒会。18.早上一份发人深省的友谊协议。19.用更多的毒药换取真正有价值的商品。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[18%]
材质 :Acrylic, ink, varnish on wood 尺寸 :17.8 × 14 × 1.3 cm Mixed Media
16.第一次接触友好的曼丹。一种异国情调的毒药。17.酒会。18.早上一份发人深省的友谊协议。19.用更多的毒药换取真正有价值的商品。(2021)-乌马尔·拉希德(两根羽毛)
英文名称:16. First contact with the friendly Mandan. A gift of exotic poison. 17. Drink Party. 18. A sobering agreement of friendship in the morning. 19. An exchange of more poisons for goods of real value. (2021)-Umar Rashid (Frohawk Two Feathers)
77.
室内有一张桌子、书柜和温莎椅,25号搁板`Interior with a Table, Bookcase and Windsor Chair, 25 Strandgade by Vilhelm Hammershoi 高清作品[18%]
78.
毕加索什么时候有时间玩弄女人?(2015年) by Sara Zielinski 高清作品[18%]
79.
关于黄昏的构成和沉着,与新月或强直、阵挛和其他在死前和死后重复僵硬的慢性倾向有关。,二千零二十一 by objet A.D 高清作品[18%]
材质 :Gesso, Charcoal, Oil, Oil-stick, and Oil-pastel on Hardboard 尺寸 :76.2 × 61 × 0.6 cm Painting
图片文件尺寸 : 5630 x 4332px
关于黄昏的构成和沉着,与新月或强直、阵挛和其他在死前和死后重复僵硬的慢性倾向有关。,二千零二十一-目标A.D(b. 1993)
英文名称:On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021-objet A.D