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伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。
~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)
材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography
表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)
英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez
材质 :Gesso, Charcoal, Oil, Oil-stick, and Oil-pastel on Hardboard 尺寸 :76.2 × 61 × 0.6 cm Painting
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关于黄昏的构成和沉着,与新月或强直、阵挛和其他在死前和死后重复僵硬的慢性倾向有关。,二千零二十一-目标A.D(b. 1993)
英文名称:On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021-objet A.D
材质 :Acrylic paint 尺寸 :Paula Cooper Gallery Installation
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壁画#1002:Splat,第一幅由:玛拉·贝瑞、布莱恩·艾琳、德克·李、托尼·马特洛克、诺埃琳·佩波斯、卡罗琳·彼得斯、大卫·斯沃德、詹妮弗·赖夫斯奈德、艾米莉·里普利、埃德加·史密斯、卡娅·维洛波尔斯基;第一部装置:罗伊和苏珊·奥康纳,密苏里州克林顿;2001年10月-索尔·莱维特(American, 1928–2007)
英文名称:Wall Drawing #1002: Splat, First drawn by: Myra Berry, Brian Elling, Dirk Lee, Toni Matlock, Noellyn Pepos, Caroline Peters, David Pledge, Jennifer Reifsneider, Emily Ripley, Edgar Smith, Kaya Wielopolski; First installation: Roy and Susan O\'Conner, Clinton, MO; October 2001-Sol LeWitt