72. 死亡力量`Power of Death by William Holbrook Beard 高清作品[37%]

AF-Power of Death

图片文件尺寸: 4550×5500 px

死亡力量-威廉·霍尔布鲁克·比尔德

-Beard was active in Buffalo and in New York City, where he had a studio in the 1860s in the famous Tenth Street Building alongside painters including John La Farge. He specialized in animal paintings whose anthropomorphized subjects satirize human folly. Painted shortly before Beard’s death, this work is his most macabre. Death, an animated corpse wearing a shroud, grips a withered tree and strangles a tiger with his bare hand. The bodies of other exotic animals — a lion, a camel, and an elephant — are strewn around a dark and desiccated wilderness. A red sun gleams eerily on the horizon. Beard likely studied the animals in what began as a menagerie in New York’s Central Park, or in P. T. Barnum’s 美国艺术家 Museum on lower Broadway. He may have been inspired by notorious circus disasters of the time, including the death of Barnum’s prize elephant, Jumbo, who was struck by a train in 1885.

73. 死亡阴影`Shadow of Death by William Holman Hunt 高清作品[37%]

AF-Shadow of Death

图片文件尺寸: 7076×9000 px

死亡阴影-威廉·霍尔曼·亨特

-It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood. The shadow of his outstretched arms falls on a wooden spar on which carpentry tools hang, creating a \"shadow of death\" prefiguring the crucifixion. His mother Mary is depicted from behind, gazing up at the shadow, having been looking into a box in which she has kept the gifts given by the Magi.